ARCE200: Ceramics: Pottery and Sculpture, Beginning I (6 hours studio)

Introduction to the development of works in clay, studio forming methods, clay compositions, glazing and firing, design/aesthetic/stylistic concerns, historical and contemporary ceramics. Meets Gen Ed 2002 - Fine and Performing Arts. 3 sh.

ARCE210: Ceramics: Pottery and Sculpture, Beginning II (6 hours studio)

Continuation of ARCE 200. 3 sh.

Prerequisites: ARCE 200.

ARCE300: Ceramics: Pottery and Sculpture, Intermediate (4 hours studio)

Continuation of ARCE 210. 3 sh.

Prerequisites: ARCE 210.

ARCE400: Ceramics: Pottery and Sculpture, Advanced (4 hours studio)

Continuation of ARCE 300. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARCE 300 or departmental approval.

ARCE450: Independent Study in Ceramics: Pottery and Sculpture

Topics for investigation selected with the approval of the instructor. May be repeated twice for a maximum of 9.0 credits. 3 sh.

Prerequisites: ARCE 300 or departmental approval.

ARCE500: Graduate Ceramics: Pottery and Sculpture I (2 hours lecture, 2 hours studio)

The emphasis of this course is on the development of a body of work that reflects a personal aesthetic and shows an imaginative, sophisticated application of ceramic studio technology. 3 sh.

Prerequisites: Portfolio review, departmental approval.

ARCE510: Graduate Ceramics: Pottery and Sculpture II (4 hours studio)

Continuation of ARCE 500. Taken serially. 3 sh.

Prerequisites: Departmental approval.

ARCE553: Independent Study in Graduate Ceramics I

Under this course designation graduate students engage in a program of advanced study in Ceramics. The direction, scope and evaluation of the work are developed in consultation with the instructor. Required readings, recommendations of research into artists, exhibitions and studio techniques will also be developed through consulation with the instructor. The progress of the work will be evaluated by regular meetings and by scheduled critiques. May be repeated for a maximum total of 9.0 credits. 1 - 9 sh.

Prerequisites: Departmental approval.

ARCE600: Graduate Ceramics: Pottery and Sculpture III (4 hours studio)

Continuation of ARCE 510. Taken serially. 3 sh.

Prerequisites: Departmental approval.

ARCE610: Graduate Ceramics: Pottery and Sculpture IV (4 hours studio)

Continuation of ARCE 600. Taken serially. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: Departmental approval.

ARCE653: Independent Study in Graduate Ceramics II

Under this course designation graduate students engage in a program of advanced study in Ceramics. The direction, scope and evaluation of the work are developed in consultation with the instructor. Required readings, recommendations of research into artists, exhibitions and studio techniques will also be developed through consultation with the instructor. The progress of the work will be evaluated by regular meetings and by scheduled critiques. May be repeated for a maximum total of 9.0 credits. 1 - 9 sh.

Prerequisites: Successful completion of ARCE 553 and departmental approval.

ARDW200: Drawing, Beginning I (6 hours studio)

Basic elements of line, tone, composition, and perspective; exploration of traditional and experimental media and materials; and investigation of still life, landscape, life drawing, portraiture, and abstraction. Meets Gen Ed 2002 - Fine and Performing Arts. 3 sh.

ARDW201: Life Drawing, Beginning I (6 hours studio)

Structure and proportions of the human figure. Study of skeletal and muscular structure, the figure at rest and in motion, isolated and in a setting. Expressive as well as analytical approach to drawing. Exploration of traditional as well as current techniques and media. Meets Gen Ed 2002 - Fine and Performing Arts. 3 sh.

ARDW210: Drawing, Beginning II (6 hours studio)

Continuation of ARDW 200. 3 sh.

Prerequisites: ARDW 200.

ARDW211: Life Drawing, Beginning II (6 hours studio)

Continuation of ARDW 201. 3 sh.

Prerequisites: ARDW 201.

ARDW300: Drawing, Intermediate (4 hours studio)

Continuation of ARDW 210. 3 sh.

Prerequisites: ARDW 210.

ARDW301: Life Drawing, Intermediate (4 hours studio)

Continuation of ARDW 211. 3 sh.

Prerequisites: ARDW 211.

ARDW400: Drawing, Advanced (4 hours studio)

Continuation of ARDW 300. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARDW 300.

ARDW401: Life Drawing, Advanced (4 hours studio)

Continuation of ARDW 301. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARDW 301.

ARDW450: Independent Study in Drawing

Topics for investigation selected with the approval of the instructor. May be repeated twice for a maximum of 9.0 credits. 3 sh.

Prerequisites: ARDW 300 or departmental approval.

ARDW451: Independent Study in Life Drawing

Topics for investigation selected with the approval of the instructor. May be repeated twice for a maximum of 9.0 credits. 3 sh.

Prerequisites: Departmental approval.

ARDW500: Graduate Drawing

In this course students will learn through perceptual and abstract studies to explore ideas of memory, symbolic form, utopian/dystopian concepts, and collaborative approaches to drawing. Contemporary and historical examples will be examined to enable students to better evaluate their own work and introduce new ways of thinking about graphic systems and their wider practice. 3 sh.

ARDW501: Graduate Life Drawing I (4 hours studio)

Advanced problems in drawing based upon a study of the human figure. 3 sh.

ARDW511: Graduate Life Drawing II (4 hours studio)

Continuation of ARDW 501. Taken serially. 3 sh.

Prerequisites: ARDW 501.

ARDW601: Graduate Life Drawing III (4 hours studio)

Continuation of ARDW 511. Taken serially. 3 sh.

Prerequisites: ARDW 511.

ARDW611: Graduate Life Drawing IV (4 hours studio)

Continuation of ARDW 601. Taken serially. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARDW 601.

ARFI200: Fibers and Fabrics, Beginning I (6 hours studio)

Techniques employed by fiber artists and the textile industry; on-loom and off-loom weaving, spinning and vegetable dyeing, and fabric and fiber techniques in contemporary work. 3 sh.

ARFI201: Textile Design, Introduction (4 hours studio)

Pattern rendering and putting designs into repeat for the textile industry. 3 sh.

ARFI210: Fibers and Fabrics, Beginning II (6 hours studio)

One or more areas of endeavor selected for exploration. Emphasizes research into the various techniques and mastery of the methods. 3 sh.

Prerequisites: ARFI 200.

ARFI222: Surface Design, Introduction A (6 hours studio)

Selected printing, dyeing and fabric manipulation techniques. 3 sh.

ARFI223: Leather, Introduction A (4 hours studio)

Use of skins and hides to create items of artistic and/or functional value. Emphasis on the design and execution of works in one or all forms of leather and fur. 3 sh.

ARFI232: Surface Design, Introduction B (6 hours studio)

Continuation of ARFI 222. 3 sh.

Prerequisites: ARFI 222.

ARFI233: Leather, Introduction B (4 hours studio)

Continuation of ARFI 223. 3 sh.

Prerequisites: ARFI 223.

ARFI281: Global Textiles (3 hours lecture)

Study of diverse textile traditions around the world. 3 sh.

ARFI300: Fibers and Fabrics, Intermediate (4 hours studio)

Further exploration of a technique or techniques selected by the student. A research paper on the historical implications of a technique and a final project are required. 3 sh.

Prerequisites: ARFI 210.

ARFI301: Textile Design, Advanced (1 hour lecture, 3 hours studio)

Advanced course in designing prints for the textile industry. Primary emphasis is the further development of a personal aesthetic appropriate to industry needs as well as that of the student-designer. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARFI 201.

ARFI322: Surface Design, Intermediate (4 hours studio)

Continuation of ARFI 232. 3 sh.

Prerequisites: ARFI 232.

ARFI323: Leather, Intermediate (4 hours studio)

Continuation of ARFI 233. 3 sh.

Prerequisites: ARFI 233.

ARFI400: Fibers and Fabrics, Advanced (4 hours studio)

Exploration of area or areas of textile techniques selected by the student. An exhibit of work done during the semester is to be planned and hung by the student. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARFI 300.

ARFI422: Surface Design, Advanced (4 hours studio)

Continuation of ARFI 322. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARFI 322.

ARFI423: Leather, Advanced (4 hours studio)

A continuation of the study of skins, hides and fur as creative materials. Emphasis is placed on the use of the basic skills learned in the preceding courses. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARFI 323.

ARFI451: Independent Study in Textiles

Topics for investigation selected with the approval of the instructor. May be repeated twice for a maximum of 9.0 credits. 3 sh.

Prerequisites: ARFI 300.

ARFI460: Fiber Sources Field Trips

Weekly field trips to museums and galleries, artist's studios and textile companies in New York and New Jersey. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARFI 200.

ARFI461: Applied Textile Design (4 hours studio)

Designing for the power loom with emphasis on the jacquard process. 3 sh.

Prerequisites: ARFI 400.

ARFI500: Graduate Form in Fiber I (6 hours studio)

Designing with simple and four harness floor looms in a variety of techniques and materials. Taken serially. 3 sh.

ARFI510: Graduate Form in Fiber II (4 hours studio)

Primary emphasis on designing with simple and four harness table and floor looms. A variety of techniques and materials. Taken serially. 3 sh.

Prerequisites: ARFI 500.

ARFI522: Graduate Decoration of Fabrics I (6 hours studio)

Survey course in all aspects of fabric embellishment; tie-dye, batik, blockprint, tritik discharge, silkscreen printing, 3M matrix, etc. Taken serially. 3 sh.

ARFI524: Graduate Off-Loom Textiles I (4 hours studio)

Development of forms through a variety of off-loom techniques used singly or in combination. Taken serially. 3 sh.

ARFI532: Graduate Decoration of Fabrics II (4 hours studio)

Continuation of ARFI 522. Taken serially. 3 sh.

Prerequisites: ARFI 522.

ARFI534: Graduate Off-Loom Textiles II (4 hours studio)

Continuation of ARFI 524. Taken serially. Fabric embellishment which was begun in graduate Decoration of Fabric I, II, III. 3 sh.

Prerequisites: ARFI 524.

ARFI580: Graduate Problems in Textile Research (3 hours lecture)

The effect of centuries of textile traditions on the modern fiber artist. 3 sh.

ARFI600: Graduate Form in Fiber III (4 hours studio)

Continuation of ARFI 510. Taken serially. 3 sh.

Prerequisites: ARFI 510.

ARFI610: Graduate Form in Fiber IV (4 hours studio)

Continuation of ARFI 600. Taken serially. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARFI 600.

ARFI622: Graduate Decoration of Fabric III (4 hours studio)

Continuation of ARFI 532. Taken serially. 3 sh.

Prerequisites: ARFI 532.

ARFI624: Graduate Off-Loom Textiles III (4 hours studio)

Intensive consideration of all fiber construction techniques that do not depend on the loom; choice of one technique for intensive study. Taken serially. 3 sh.

Prerequisites: ARFI 534.

ARFI632: Graduate Decoration of Fabrics IV (4 hours studio)

Continuation of ARFI 622. Taken serially. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARFI 622.

ARFI634: Graduate Off-Loom Textiles IV (4 hours studio)

Intensive work in a chosen non-loom textile technique, eg., knotting. Taken serially. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARFI 624.

ARGD200: Graphic Design, Beginning I (6 hours studio)

Introduction to graphic design principles. This course is involved in taking basic design information and translating it into a graphic design context, with main emphasis on communicating original ideas in a creative manner. Projects deal with graphic design principles, i.e., visual communication of information, composition, color, type, illustration, materials and methods of graphic design. Introduction to critique and presentation, along with the principle of the designer/client relationship. 3 sh.

Prerequisites: ARFD 122.

ARGD210: Graphic Design, Beginning II (2 hours lecture, 3.75 hours studio)

Focuses on creative design development within various graphic design specializations: print (flat and folding); packaging; product & environmental graphics; and graphics for interactive media. Students explore typeface choice and proper use of typography, as well as professional methods of comping and presentation by hand and with industry standard software: this begins development of a student's graphic design portfolio. 3 sh.

Prerequisites: ARGD 200. For Graphic Design (GRDN) majors only.

ARGD211: Fundamentals of Adobe Creative Suite - Mac (2 hours lecture, 4 hours studio)

A project and exercise-based approach to learning the programs used by graphic designers on Macintosh computers, covering the fundamentals of the latest versions of the Adobe Creative Suite series: Adobe Illustrator CS, InDesign CS, and Adobe Photoshop CS. These programs are prerequisite for all those interested in working within the design and publishing industries. The use of scanners for importing both art and text will also be investigated. Instruction in the course is tutorial-based, with supplemental lectures and demonstrations. 3 sh.

ARGD221: Typography I (4 hours studio)

Typography I is an introduction to the history and design of letterforms. Students become proficient in typeface design and typeface selection through handwriting exercises and through projects that explore the effects of compositional variables such as point size, letterspacing, linespacing, and kerning. The course provides the basis for professional typesetting through its focus on the meaningful arrangement of language. 3 sh.

Prerequisites: For Graphic Design (GRDN) majors only.

ARGD280: Design in Visual Culture (3 hours lecture)

This course traces the development of visual communication from the first cave paintings to the present day. Presentations cover a wide range of visual communication, from printed forms - books, posters, packaging, and advertisements - to electronic media - television, computers, and the Internet. Emphasis is placed on how cultural and technological developments have affected our viewpoints of the relationship and use of images and typography. This course utilizes Blackboard for weekly quizzes and exams. 3 sh.

ARGD300: Graphic Design, Intermediate (4 hours studio)

Builds upon the skills and processes learned in previous graphic design courses with emphasis on concept development and typographic systems. Proper production using industry standard software is stressed. Students prepare a portfolio of their work for evaluation at the end of the semester. This portfolio must include evidence of research, conceptual development, preliminary comps, and final designs for each class project. 3 sh.

Prerequisites: ARGD 211, ARGD 210 and ARGD 221. For Graphic Design (GRDN) majors only.

ARGD400: Graphic Design, Advanced I (4 hours studio)

Class emphasis is on reinforcing the design process, along with learning the business of design, i.e., bidding, contracts, scheduling and client presentation. In-class work time is divided between studio and computer lab. Student will develop a portfolio of their work for final review. 3 sh.

Prerequisites: ARGD 300. For Graphic Design (GRDN) majors only.

ARGD410: Interactive Multimedia Design (2 hours lecture, 2 hours lab)

This course is an introductory experience in multimedia design on the Macintosh computer. It provides students with a conceptual background and the working knowledge necessary to produce a variety of interactive multimedia materials for the Web and presentation visuals. The focus of the course is on developing the skills, techniques, and creative components needed to create interactive and animated visuals, including the integration and editing of audio and video components. Current predominant software will provide the instructional course platform. 3 sh.

Prerequisites: ARGD 210 or permission of instructor. For Graphic Design (GRDN) majors only.

ARGD421: Typography II (4 hours studio)

Builds on the themes and procedures explored in Typography I. The course emphasizes craft, teamwork, and interdisciplinary problem solving methods as a means to solve complex typographic problems. Students formulate concepts and apply relevant typographic strategies by thinking intuitively and systematically. In addition to a sophisticated body of work in two- and three-dimensional formats, students also learn to use motion graphics software to product kinetic typography. 3 sh.

Prerequisites: ARGD 300. For Graphic Design (GRDN) majors only.

ARGD422: Advanced Computer Graphics (2 hours lecture, 2 hours studio)

Advanced problems in graphic design on the Macintosh computer. Emphasis will be placed on utilizing the Macintosh for solving design problems. Advanced page layout and graphic programs will be explored. Course is oriented toward the graphic designer. 3 sh.

Prerequisites: ARFD 210 and 211. For Graphic Design (GRDN) majors only.

ARGD423: Advertising Design (4 hours studio)

The specific nature of advertising and its connection to graphic design. What is involved in creating an advertising campaign. How designers work with advertisers and copywriters. A brief history of advertising and advertising agencies. 3 sh.

Prerequisites: ARGD 300. For Graphic Design (GRDN) majors only.

ARGD424: Publication Design (4 hours studio)

How to effectively design a publication so that it easily communicates the client's needs. Combining type, photography and illustration in a page layout. Variations and limitations encountered in designing a publication. Design systems used in creating publications. 3 sh.

Prerequisites: ARGD 300. For Graphic Design (GRDN) majors only.

ARGD425: Web Page Design (2 hours lecture, 2 hours studio)

Web page design introduces students to the fundamentals of creating and managing Web sites. Specific attention focuses on learning what makes a good Web page, how to develop a plan for a Web site, and the problem solving techniques used in creating a workable Web site based on a defined audience. 3 sh.

Prerequisites: ARGD 210 or permission of instructor. For Graphic Design (GRDN) majors only.

ARGD434: Package Design (4 hours studio)

A survey of the state of the art in packaging. Course projects will be based on the consumer product industry. Graphic problems for three-dimensional objects and display. Package design comprehensive techniques for art director and client presentation. Grasping product essence and interpreting client needs and the demands of the marketplace. 3 sh.

Prerequisites: ARGD 300. For Graphic Design (GRDN) majors only.

ARGD435: Graphic Design Internship

An internship at a graphic design studio, advertising agency, or related business at which the student will have the opportunity to work with professionals in the field of graphic design. May be repeated once for a total of 8.0 credits. 4 sh.

Prerequisites: ARGD 210 and departmental approval.

ARGD460: Graphic Design, Advanced II (4 hours studio)

The final course in the sequence of graphic design courses, Graphic Design, Advanced II focuses on the development of a student's final portfolio of graphic design projects, along with the development of resume and cover letters. Students refine projects from previous courses, as well as adding new projects to focus their portfolio for their chosen specialization in graphic design. Students present their portfolios to faculty and invited designers at mid-term and at the end of the semester for critical review. 3 sh.

Prerequisites: ARGD 400. For Graphic Design (GRDN) majors only.

ARGS553: Independent Study, Graduate I

Under this course designation advanced students may either expand or extend their experience in a chosen field or medium. Direction, conduct and evaluation of the work are developed in consultation with the instructor. As a basis for admission and planning, each student will present a representative selection of his/her prior work in the chosen medium. Credits to be arranged. May be repeated for a maximum of 9.0 credits. 1 - 8 sh.

Prerequisites: Departmental approval.

ARGS560: Graduate Visual Arts Workshop

Selected studio topics which represent current concerns within the contemporary world of the visual arts. May be repeated for a maximum of 24.0 credits as long as the topic is different. 1 - 12 sh.

Prerequisites: Departmental approval.

ARGS653: Independent Study, Graduate II

Under this course designation advanced students may either expand or extend their experience in a chosen field or medium. Direction, conduct and evaluation of the work are developed in consultation with the instructor. As a basis for admission and planning, each student will present a representative selection of his/her prior work in the chosen medium. Credits to be arranged. May be repeated for a maximum of 9.0 credits. 1 - 8 sh.

Prerequisites: Departmental approval.

ARHT100: Selected Masterpieces of World Art (3 hours lecture)

An introduction to key works of art representing prehistoric cultures, the ancient world, the East, the Renaissance, and the Modern period; museum and gallery trips, reading and discussion. For non-art majors. Previous course ARHS 217 effective through Spring 2012. 3 sh.

ARHT101: Art in Non-Western Societies (3 hours lecture)

A consideration of the role of art in traditional non-western societies. Includes an examination of the integration of art into the society as a whole-the religions, economics, environment, and social order. The role art plays in social change and how it is affected by social change. Meets the Gen Ed 2002- Social Science, Non-Western Cultural Perspectives. Meets the World Languages and Cultures Requirement - World Cultures. Fulfills the Special Topics requirement for majors. Previous course ARHS 220 effective through Spring 2012. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHT105: Art in Western Civilization: Ancient Through Medieval (3 hours lecture)

The history of Western art, architecture, and material culture from Prehistory through the Middle Ages: Paleolithic and Neolithic art; ancient Mesopotamian, Egyptian, Greek, and Roman art; Early Christian, Byzantine, Early Medieval, Romanesque, and Gothic art. Museum visits and extensive reading. Required for Fine Arts majors. Meets Gen Ed 2002 - Humanities, World Literature or General Humanities. Meets the University Writing Requirement for majors in Animation and Illustration, Fine Arts, and Graphic Design. Previous course ARHS 105 effective through Spring 2012. 3 sh.

ARHT106: Art in Western Civilization: Renaissance through Modern (3 hours lecture)

The history of Western art and architecture from the fifteenth century to the present: the Renaissance, Baroque, Rococo, Romantic, Impressionist, and Modern Periods. Museum visits and extensive reading. Required for Fine Arts majors. Meets Gen Ed 2002 - Humanities, World Literature or General Humanities. Meets the University Writing Requirement for majors in Animation and Illustration, Fine Arts, and Graphic Design. Previous course ARHS 106 effective through Spring 2012. 3 sh.

ARHT190: Women and Art (3 hours lecture)

The role and status of women in art from the Old Stone Age through the present; women artists and the visual culture of women in Western culture; depictions of women in the arts. Fulfills the Special Topics requirement for majors. Previous course ARHS 108 effective through Spring 2012. 3 sh.

ARHT191: African-American Art (3 hours lecture)

Afro-American art in the United States from colonial times to the present. Meets the World Languages and Cultures Requirement - World Cultures. 3 sh.

ARHT200: Research Methods in Art History (3 hours seminar)

Bibliographic and other resources necessary for scholarly research in the visual arts; the writing of the research paper; special problems and methodology of art history. Required for Art History majors. Previous course ARHS 200 effective through Spring 2012. 3 sh.

Prerequisites: ARHT 105 and ARHT 106 or departmental approval.

ARHT202: Field Trip in Art History

Travel courses to art sources in the United States and foreign countries not to exceed twelve undergraduate credits. First-hand contact with the art forms and visual culture of the places visited; study of monuments in the field and works in museums and galleries. Subject(s) defined by the professor. May be repeated for a maximum of twelve credits. Fulfills the Special Topics required for majors. Previous course ARHS 480 effective through Spring 2012. 2 - 6 sh.

Prerequisites: ARHT 105, ARHT 106, ENWR 105, or HONP 100.

ARHT203: Modern Philosophies of Art (3 hours lecture)

The work of major writers about art from the nineteenth and twentieth centuries to the present day; the nature of the creative experience and process, the function of art in the life of the individual and of society, the rise of new materials and institutions; the development of sentiments and attitudes affecting thinking in the field. Fulfills the Twentieth Century requirement for majors. Previous course ARHS 250 effective through Spring 2012. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHT280: Asian Art (3 hours lecture)

The arts and material culture of China, Korea, Japan, India, and Southeast Asia. How Hinduism, Buddhism, Islam commerce and migration shaped traditional Asian arts and societies. Specific focus defined by the professor. May be repeated for a maximum of six credits by permission of department. Fulfills the Special Topics requirement for majors. Previous course ARHS 327 effective through Spring 2012. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHT281: African Art: Sub-Saharan (3 hours lecture)

The art and material cultures of Africa from prehistoric remains to contemporary art: stylistic groupings; relation to ceremony and to daily life; symbolism; and relations to the arts of other cultures. Meets the World Languages and Cultures Requirement - World Cultures. Fulfills the Special Topics requirement for majors. Previous course ARHS 458 effective through Spring 2012. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHT290: American Art (3 hours lecture)

Art in the United States from the colonial period through the nineteenth century; the development of an American style in the light of its relationship to and dependence upon European art. Previous course ARHS 329 effective through Spring 2012. 3 sh.

Prerequisites: ARHT 105, ARHT 106, ARHT 190, ARHT 191, ENWR 105, HONP 100, or departmental approval.

ARHT301: History of the Print (3 hours lecture)

The principal types of prints in Western and non-western cultures, from their beginnings to the present day. Fulfills the Special Topics requirement for majors. Previous course ARHS 230 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT302: History of Photography (3 hours lecture)

The roots of photography, its practitioners and the social and historical circumstances surrounding its creation. Fulfills the Special Topics requirement for majors. Previous course ARHS 477 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT303: History of Industrial Design (3 hours lecture)

The history of Industrial Design is traced from the industrial revolution to the present day. Fulfills the Special Topics requirement for majors. Previous course ARHS 370 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT304: History of Textiles (3 hours lecture)

Great textile traditions of the world. Fulfills the Special Topics requirement for majors. Previous course ARHS 276 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT314: Greek Art (3 hours lecture)

Greek art and material culture including painting, sculpture and architecture from the Bronze Age through the Hellenistic period. Fulfills the Ancient art requirement for majors. Previous course ARHS 328 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT315: Roman Art (3 hours lecture)

The arts and material culture of the Etruscans and Romans in their historical, cultural and religious settings. Fulfills the Ancient art requirement for majors. Previous course ARHS 485 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT321: Medieval Art: Early Christian, Byzantine & Early Medieval (3 hours lecture)

The emergence and development of early Christian, Jewish, Byzantine, and Islamic art from Late Antiquity through Iconoclasm and the early Middle Ages. Fulfills the Medieval requirement for majors. Previous course ARHS 322 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT322: Medieval Art: Romanesque and Gothic (3 hours lecture)

The art and material culture of the High Middle Ages: how religious reform, crusade, and pilgrimage shaped the arts of Europe and Byzantium; Christian, Jewish, and Islamic art. Fulfills the Medieval requirement for majors. Previous course ARHS 323 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT331: Renaissance Art in Italy: The Fifteenth Century (3 hours lecture)

Renaissance painting, sculpture and architecture during the Quattrocento; Masaccio, Mantegna, Donatello, Brunelleschi, and Alberti emphasized. Fulfills the Renaissance requirement for majors. Previous course ARHS 216 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT332: Renaissance Art in Italy: The Sixteenth Century (3 hours lecture)

The great masters of the Cinquecento: Leonardo, Michelangelo, Raphael, Giorgione and Titan; the emergence of Mannerist art and architecture in Rome, Venice, Florence and Bologna. Fulfills the Renaissance requirement for majors. Previous course ARHS 452 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT336: Northern Renaissance Painting (3 hours lecture)

Fifteenth and sixteenth century painting in northern Europe with particular attention to Flanders and Holland; emphasis on Jan Van Eyck, Van Der Weyden, Bosch, Peter Bruegel and Matthias Gruenewald. Fulfills the Medieval requirement for majors. Previous course ARHS 324 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT340: Seventeenth and Eighteenth Century Art (3 hours lecture)

The art and material culture of Western Europe from 1600 to 1800; Baroque and Rococo styles with emphasis on El Greco, Bernini, Rubens, Rembrandt, Poussin and Watteau. Fulfills the Baroque requirement for majors. Previous course ARHS 325 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT350: Art of the Nineteenth Century (3 hours lecture)

The major movements in nineteenth-century art: Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, as seen in painting, sculpture, prints, and objects of material culture. Relationship of the art to political, social, cultural, and economic factors during this period. Fulfills the Nineteenth-century art requirement for majors. Previous course ARHS 459 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT352: Nineteenth Century American Painting (3 hour lecture)

Painting in the United States during the nineteenth century; portrait, landscape and genre traditions; the Hudson River school, the genre painters, the expatriates and the independents; folk and naif paintings. Some knowledge of European painting is desirable. Fulfills the Nineteenth-century art requirement for majors. Previous course ARHS 461 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT360: Twentieth-Century Art (3 hours lecture)

From Picasso to the end of the Twentieth-century: Cubism, Surrealism, Abstract Expressionism, Pop Art and Minimalism; scientific and social forces transforming the artist's vision, including the theories of Freud and Bergson. Fulfills the Twentieth century requirement for majors. Previous course ARHS 469 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT361: Modern Architecture (3 hours lecture)

Major contributions to the development of modern architecture in the nineteenth and twentieth centuries; the development of styles, structural innovations and theories of design. Fulfills the Twentieth Century/Contemporary requirement for majors. Previous course ARHS 450 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT393: The Critical Approach (3 hours lecture)

Historical criticism, criteria in art criticism, and an analysis of the critical process. Fulfills the Special Topics requirement for majors. Previous course ARHS 326 effective through Spring 2012. 3 sh.

Prerequisites: GNED 201, GNED 202, HONP 201, HONP 202, ARDW 200, ARDW 201, ARPH 200, MUGN 241, RELG 221, ENFL 208, ARHT 200, ARHT 202, ARHT 203, ARHT 280, ARHT 281, ARHT 290 or departmental approval.

ARHT470: Contemporary Art (3 hours lecture)

The work of major artists of the twentieth and twenty-first centuries with particular reference to the dominant ideas and visual culture of the period; readings, museum trips, discussion of contemporary writing and criticism. Fulfills the Twentieth century/Contemporary requirement for majors. Previous course ARHS 451 effective through Spring 2012. 3 sh.

Prerequisites: ARHT 350 and ARHT 360.

ARHT490: Selected Problems in Art History (3 hour lecture)

A seminar in topics such as the works of an individual artist or a particular theme in art history (e.g. the human figure) or a particular technique (e.g. sculpture); lectures, reports, museum and studio visits, discussion. May be repeated seven times for a maximum of 24.0 credits. Previous course ARHS 455 effective through Spring 2012. 3 sh.

Prerequisites: ARHT 105, ARHT 106, ARHT 350 and ARHT 360.

ARHT491: Independent Study: Art History (3 hours lecture)

Independent study. May be repeated for a maximum of twelve credits. Previous course ARHS 483 effective through Spring 2012. 2 - 8 sh.

Prerequisites: ARHT 350, ARHT 360 and departmental approval.

ARHT499: Independent Study: Senior Thesis (BA Art History)

With art history faculty advisement, each Senior Art History major will conduct a course of research in art history and complete a scholarly paper. Previous course ARHS 484 effective through Spring 2012. 3 sh.

Prerequisites: ARHT 200 and any 300-level ARHT course; or departmental approval.

ARHT501: Artists on Art (3 hours lecture)

A selection of writings by artists on art are presented, including theoretical writings, excerpts from diaries and letters, manifestoes, interviews, etc. The class is designed as a seminar focusing on analysis, interpretation, and discussion of these primary sources. Previous course ARHS 581 effective through Spring 2012. 3 sh.

ARHT502: Field Trips in Art History

Travel courses to art sources in the United States and foreign countries not to exceed twelve graduate credits. Travel courses to art sources in the United States and foreign countries not to exceed twelve undergraduate credits. First-hand contact with the art forms and visual culture of the places visited; study of monuments in the field and works in museums and galleries. Subject(s) to be defined by the professor. May be repeated for a maximum of twelve credits. Previous course ARHS 680 effective through Spring 2012. 2 - 6 sh.

ARHT536: Northern Renaissance Art (3 hours lecture)

15th and 16th century paintings in northern Europe - especially Italy, Flanders and Holland; the development of Realism and style in relation to social change and the general ideas of the period, including contemporary music. Jan Van Eyck, Van der Weyden, Bosch, Peter Breughel and Matthias Gruenewald. Previous course ARHS 594 effective through Spring 2012. 3 sh.

ARHT540: European Art of the Seventeenth and Eighteenth Centuries (3 hours lecture)

Principal developments in painting, sculpture, architecture and related arts during the Baroque and Rococo periods as affected by contemporary political, religious and economic factors. Artists include Caravaggio, Bernini, Poussin, Velazquez, Rembrandt, Rubens, Watteau and Hogarth. Previous course ARHS 540 effective through Spring 2012. 3 sh.

ARHT590: Modern Philosophies of Art I (3 hours lecture)

Major writers in art in the nineteenth and twentieth centuries. The nature of the creative experience; art in the life of the individual and of society; the creative process; new materials; institutions and sentiments affecting current thinking in the field. Discussions based on readings of philosophers, poets, social scientists and psychologists. Previous course ARHS 590 effective through Spring 2012. 3 sh.

ARHT600: Graduate Methods of Research in Art History (3 hours seminar)

Introduction to the approaches, methods and goals of art-historical research, including descriptive, bibliographic, stylistic, and iconographic analysis. Previous course ARHS 503 effective through Spring 2012. 3 sh.

ARHT601: Selected Problems in Art History (3 hours seminar)

Art problems, iconographic topics and themes of a historic, social and philosophical nature. Topic selection will depend upon the special areas of the professor or guest professor invited for the semester. May be repeated seven times for a maximum of 24.0 credits. Previous course ARHS 592 effective through Spring 2012. 3 sh.

ARHT603: The American Collector and New York Museums (3 hours seminar)

The history of American art collecting is studied using the private collections that are now incorporated into museums in New York City. The contents of these collections, the ways they are housed, and the role of museum as educational institution will be examined in light of social and cultural ideals. Discussions based on readings and field trips. Previous course ARHS 580 effective through Spring 2012. 3 sh.

ARMJ200: Metalwork and Jewelry, Beginning I (6 hours studio)

Introduction to metal working and jewelry techniques traditionally used in the shaping of useful articles. 3 sh.

ARMJ210: Metalwork and Jewelry, Beginning II (2 hours lecture, 4 hours studio)

Advanced design concepts and metalworking techniques. 3 sh.

Prerequisites: ARMJ 200 or ARID 111 or departmental approval.

ARMJ300: Metalwork and Jewelry, Intermediate (1 hour lecture, 3 hours studio)

Traditional techniques, advanced design concepts and techniques. 3 sh.

Prerequisites: ARMJ 200 or ARMJ 210.

ARMJ400: Metalwork and Jewelry, Advanced (4 hours studio)

Coninuation of ARMJ 300. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARMJ 300.

ARMJ450: Independent Study in Metalwork and Jewelry

Topics for investigation selected with the approval of the instructor. May be repeated three times for a maximum of 9.0 credits. 3 sh.

Prerequisites: ARMJ 300 and departmental approval.

ARMJ500: Graduate Metalwork and Jewelry I (1 hour lecture, 3 hours studio)

Designing jewelry and small sculpture in varied metals; the techniques of flat sheet metal and casting. 3 sh.

ARMJ510: Graduate Metalwork and Jewelry II (4 hours studio)

Continuation of ARMJ 500. Taken serially. 3 sh.

Prerequisites: ARMJ 500.

ARMJ600: Graduate Metalwork and Jewelry III (4 hours studio)

Continuation of ARMJ 510. Taken serially. 3 sh.

Prerequisites: ARMJ 510.

ARMJ610: Graduate Metalwork and Jewelry IV (4 hours studio)

Designing jewelry and small sculpture in varied metals. The techniques of flat sheet metal and casting. Continuation of ARMJ 600. Taken serially. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARMJ 600.

ARPA200: Painting, Beginning I (6 hours studio)

Exploration of painting media and modes of expression. Reading, gallery and museum visits. Meets Gen Ed 2002 - Fine and Performing Arts. 3 sh.

ARPA210: Painting, Beginning II (6 hours studio)

Continuation of ARPA 200. 3 sh.

Prerequisites: ARPA 200.

ARPA260: Figurative Painting (4 hours studio)

Rendering the human figure and expressing creative insights into figurative painting. This course may be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARPA 200.

ARPA300: Painting, Intermediate (4 hours studio)

Continuation of ARPA 210. 3 sh.

Prerequisites: ARPA 210.

ARPA400: Painting, Advanced (4 hours studio)

Continuation of ARPA 300. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARPA 300.

ARPA450: Independent Study in Painting

Topics for investigation selected with the approval of the instructor. May be repeated three times for a maximum of 9.0 credits. 3 sh.

Prerequisites: ARPA 300 and departmental approval.

ARPA461: Painting the Environment (2 hours lecture, 2 hours studio)

Interpretation of landscape as a unique source of pictorial ideas; the history of landscape painting. 3 sh.

Prerequisites: ARPA 200.

ARPA500: Graduate Painting I (4 hours studio)

Studio in painting to further the creative expression and technical knowledge of the student in various painting media. Personal and professional development through studio work, trips and the study of the contemporary artists. 3 sh.

ARPA510: Graduate Painting II (4 hours studio)

Continuation of ARPA 500. Taken serially. 3 sh.

Prerequisites: ARPA 500.

ARPA600: Graduate Painting III (4 hours studio)

Continuation of ARPA 510. Taken serially. 3 sh.

Prerequisites: ARPA 510.

ARPA610: Graduate Painting IV (4 hours studio)

Continuation of ARPA 600. Taken serially. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARPA 600.

ARPH200: Photography Beginning I: Contemporary Art Form (6 hours studio)

The essentials of the photographic process including developing, enlarging, and exhibiting. Trips, films, discussions, lectures, criticism and demonstration. Meets Gen Ed 2002 - Fine and Performing Arts. 3 sh.

ARPH201: Digital Photo and Imaging I (2 hours lecture, 3.75 hours studio)

The objective of this course is to teach students basic digital photography and imaging tools. The class will learn how to operate a digital camera, flatbed and film scanners, photographic quality inkjet printers as well as Adobe Photoshop skills for basic digital darkroom techniques, image editing and manipulation. Meets Gen Ed 2002 - Fine and Performing Arts. 3 sh.

ARPH210: Photography Beginning II: Contemporary Art Form (3 hours lecture, 3 hours studio)

The essentials of the photographic process including developing, enlarging, portfolio creation, exhibiting, trips, videos, discussion, lecture, critiques, and demonstrations. A continuation of ARPH 200, Photography Beginning Level I: A Contemporary Art Form. 3 sh.

Prerequisites: ARPH 200.

ARPH211: Digital Photo and Imaging II (2 hours lecture, 4 hours studio)

The objective of this course is to expand on the knowledge base learned from Digital Photo and Imaging I. The students will acquire a higher level of competency in operating a digital camera, utilizing digital photographic tools and operating output devices for printing. Students will be introduced to page layout software to produce multiple photographic sequences. 3 sh.

Prerequisites: ARPH 201.

ARPH260: Photography Transparency Materials (4 hours studio)

Control and manipulation of color and monochrome transparency materials. Emphasis on visual awareness, personal direction, and technical skills. 3 sh.

Prerequisites: ARPH 200.

ARPH300: Photography Intermediate: Contemporary Art Form (4 hours studio)

Continuation of ARPH 210. 3 sh.

Prerequisites: ARPH 210.

ARPH361: Special Process in Photography (6 hours studio)

Non-traditional light sensitive materials for use in the photographic image-making process. Extension of traditional boundaries of photography through new tools permitting greater image manipulation: gum bichromate, cyanotype, platinum, photo etching, and others. 4 sh.

Prerequisites: ARPH 300.

ARPH400: Photography Advanced: Contemporary Art Form (4 hours studio)

Workshop, discussion, lecture, demonstrations, criticism; photography as an intensive learning experience; light sensitive materials, controls, photographic approach, selection, system and view camera. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARPH 300.

ARPH451: Independent Study in Photography: Contemporary Art Form

Topics for investigation selected with the approval of the instructor. May be repeated three times for a maximum of 9.0 credits. 3 sh.

Prerequisites: ARPH 300 and departmental approval.

ARPH462: The Color Print, A Contemporary Aesthetic Approach (6 hours studio)

Photographic and printing techniques for the color prints; history of color photographic print; museum and gallery visits. 4 sh.

Prerequisites: ARPH 400.

ARPH463: Commercial Photography (2 hours lecture, 2 hours studio)

Workshop and problem-solving of commercial applications in photography: view camera to 35mm, color and black and white materials, studio lighting, photo illustration, photo essay, marketing. Field trips, visiting professionals. 4 sh.

Prerequisites: ARPH 400.

ARPH500: Graduate Photography Beginning I: A Contemporary Art Form (6 hours studio)

Provides for the in-depth study and practice of photography as a visual language. Encourages exploration beyond the camera through studio work, discussions, criticism, films, trips and demonstrations. 3 sh.

Prerequisites: Departmental approval.

ARPH510: Graduate Photography Beginning II: A Contemporary Art Form (3 hours lecture, 3 hours studio)

The essentials of the photographic process including developing, enlarging, portfolio creation, exhibition, trips, videos, discussion, lecture, critiques, and demonstrations. A continuation of ARPH 500, Graduate Photography Beginning I: A Contemporary Art Form. 3 sh.

Prerequisites: ARPH 500.

ARPH600: Graduate Photography Intermediate: A Contemporary Art Form (4 hours studio)

Workshop, discussion, lectures, criticism, demonstrations: photography for self expression and greater visual awareness. Creative controls, craftsmanship, perception, presentation and the fine points will be investigated. 3 sh.

Prerequisites: ARPH 510.

ARPH610: Graduate Photography Advanced: A Contemporary Art Form (5 hours studio)

Workshop, discussion, lecture, demonstrations, criticism: photography as an intensive learning experience. Light sensitive materials, controls, photographic approach, selection, zinc system and view camera will be investigated. May be repeated for a maximum of nine credits. 4 sh.

Prerequisites: ARPH 600.

ARPH660: Graduate Special Processes in Photography (5 hours studio)

Investigation of nontraditional light sensitive materials for use in the photographic image making process. Extending traditional boundaries of photography through new tools that permit greater image manipulation: gum bichromate, cyanotype, platinum, photo etching, and others will be investigated. 4 sh.

Prerequisites: ARPH 610.

ARPM200: Printmaking, Beginning I (6 hours studio)

Woodcut, screen printing and monoprints; etching, drypoint and lithography. Exploration of new and advanced techniques. Meets Gen Ed 2002 - Fine and Performing Arts. 3 sh.

ARPM210: Printmaking, Beginning II (6 hours studio)

Consideration of printmaking media; particular attention to the growth and development of art-making concepts as they relate to the printmaking processes. 3 sh.

Prerequisites: ARPM 200.

ARPM220: Digital Printmaking, Introduction A (4 hours studio)

Intersecting digital technologies with traditional and new printmaking techniques, this course focuses on combining mixed media processes for the creation of hybridized images. 3 sh.

ARPM260: Etching and Relief Printing (4 hours studio)

Drypoint, engraving, etching and major techniques like line and open bite, soft ground, stop out procedure, lift ground, mezzotint and aquatint. 3 sh.

Prerequisites: ARPM 200.

ARPM261: Lithography (4 hours studio)

Chemicals, tools, materials and techniques of the process. 3 sh.

Prerequisites: ARPM 200.

ARPM262: Screen Printing (4 hours studio)

Screen printing including miskit, tusche, glue, lacquer and stencil and photographic techniques. 3 sh.

ARPM263: Book Arts Introduction (3 hours studio)

Book Arts is an introductory course involving the creation of handbound multi-signature books that incorporate both Eastern and Western approaches to design and format. The aesthetic quality of the artist book resides in its unique structure, visual narrative, continuum of tradition and diversity of materials. 3 sh.

ARPM300: Printmaking, Intermediate (4 hours studio)

Continuation of ARPM 210. 3 sh.

Prerequisites: ARPM 210.

ARPM400: Printmaking, Advanced (4 hours studio)

Continuation of ARPM 300. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARPM 300.

ARPM450: Independent Study in Printmaking

Topics for investigation selected with the approval of the instructor. May be repeated three times for a maximum of 9.0 credits. 3 sh.

Prerequisites: ARPM 300 and departmental approval.

ARPM500: Graduate Printmaking I (4 hours studio)

Advanced work in various print processes; emphasis on the development of images and concepts as they relate to the printmaking media. 3 sh.

Prerequisites: Departmental approval.

ARPM510: Graduate Printmaking II (4 hours studio)

Continuation of ARPM 500. Taken serially. 3 sh.

Prerequisites: ARPM 500.

ARPM600: Graduate Printmaking III (4 hours studio)

Continuation of ARPM 510. Taken serially. 3 sh.

Prerequisites: ARPM 510.

ARPM610: Graduate Printmaking IV (4 hours studio)

Continuation of ARPM 600. Taken serially. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARPM 600.

ARSC200: Sculpture, Beginning I (6 hours studio)

Sculptural concepts using materials like plaster, metal, plastics, stone and wood. Gallery and museum visits. Meets Gen Ed 2002 - Fine and Performing Arts. 3 sh.

ARSC210: Sculpture, Beginning II (6 hours studio)

The course will focus on the figure (working from life) with auxiliary experiences in mold-making and casting. The materials will be clay (plasticine), plaster and armatures. Meets Gen Ed 2002 - Fine and Performing Arts. 3 sh.

ARSC220: Sculpture: Fabrication, Introduction A (4 hours studio)

Sculpture formed by constructive methods. Form and space relationships; a professional sequence of drawings, model building, testing of materials, joining methods, full-scale execution. Museum visits and reading assignments. 3 sh.

ARSC221: Sculpture: Clay, Introduction A (4 hours studio)

The use of clay to create sculptural forms; emphasis on developing skills and strengthening understanding of sculpture as an art form. Finished works may be composed of fired clay or unfired clay or clay in combination with other materials. 3 sh.

ARSC222: Sculpture: Metal Casting, Introduction A (4 hours studio)

Basic technology of metal casting in the lost wax process. Experimentation with the various materials related to the casting process; modeling, spruing and venting, investment of the model, burn-out of the mold, pouring the metal, cleaning, chasing and finishing the metal cast. Museum visits and reading assignments. 3 sh.

ARSC223: Sculpture: Welding/Brazing Introduction A (4 hours studio)

Sculpture in metal realized through welding, brazing and soldering. Various metals used in a variety of processes to develop three dimensional works. Museum visits and reading assignments. 3 sh.

ARSC224: Sculpture: Carving, Introduction A (4 hours studio)

Sculpture formed by the subtractive process of carving in wood and/or stone primarily; techniques of sharpening, making and maintaining tools. Museum visits and reading assignments. 3 sh.

ARSC225: Metals: Introduction A (4 hours studio)

Production of sculpture through the casting or welding processes. With the permission of the instructor, a student may elect to concentrate in one of these areas throughout the semester, explore both approaches to metal sculpture or combine both processes in finished pieces. Slide lectures, critiques and visits to galleries and museums in New York. 3 sh.

Prerequisites: ARSC 222.

ARSC226: Sculpture: Modeling/Casting, Introduction A (4 hours studio)

Forming by the additive process using one or more mold-making techniques; clay plaster, cement and plastics. Further modeling and casting processes. Museum visits and reading assignments. 3 sh.

ARSC230: Sculpture: Fabrication, Introduction B (4 hours studio)

Continuation of ARSC 220. 3 sh.

Prerequisites: ARSC 220.

ARSC231: Sculpture: Clay, Introduction B (4 hours studio)

Continuation of ARSC 221. 3 sh.

Prerequisites: ARSC 221.

ARSC232: Sculpture: Metal Casting, Introduction B (4 hours studio)

Continuation of ARSC 222. 3 sh.

Prerequisites: ARSC 222.

ARSC233: Sculpture: Welding/Brazing Introduction B (4 hours studio)

Continuation of ARSC 223. 3 sh.

Prerequisites: ARSC 223.

ARSC234: Sculpture: Carving, Introduction B (4 hours studio)

Continuation of ARSC 224. 3 sh.

Prerequisites: ARSC 224.

ARSC235: Metals: Introduction B (4 hours studio)

Continuation of ARSC 225. 3 sh.

Prerequisites: ARSC 225.

ARSC236: Sculpture: Modeling/Casting, Introduction B (4 hours studio)

Continuation of ARSC 226. 3 sh.

Prerequisites: ARSC 226.

ARSC300: Sculpture, Intermediate (4 hours studio)

Continuation of ARSC 200 and ARSC 210. 3 sh.

Prerequisites: ARSC 200 and ARSC 210.

ARSC320: Sculpture: Fabrication Intermediate (4 hours studio)

Continuation of ARSC 230. 3 sh.

Prerequisites: ARSC 230.

ARSC321: Sculpture: Clay, Intermediate (4 hours studio)

Continuation of ARSC 231. 3 sh.

Prerequisites: ARSC 231.

ARSC322: Sculpture: Metal Casting, Intermediate (4 hours studio)

Continuation of ARSC 232. 3 sh.

Prerequisites: ARSC 232.

ARSC323: Sculpture: Welding/Brazing, Intermediate (4 hours studio)

Continuation of ARSC 233. 3 sh.

Prerequisites: ARSC 233.

ARSC324: Sculpture: Carving Intermediate (4 hours studio)

Continuation of ARSC 234. 3 sh.

Prerequisites: ARPT 234.

ARSC325: Metals: Intermediate (4 hours studio)

Continuation of ARSC 235. 3 sh.

Prerequisites: ARSC 235.

ARSC326: Sculpture: Modeling/Casting Intermediate (4 hours studio)

Continuation of ARSC 235. 3 sh.

Prerequisites: ARSC 236.

ARSC400: Sculpture, Advanced (4 hours studio)

Continuation of ARSC 300. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARSC 300 or permission of instructor.

ARSC420: Sculpture: Fabrication, Advanced (4 hours studio)

Continuation of ARSC 320. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARSC 320.

ARSC421: Sculpture: Clay, Advanced (4 hours studio)

Continuation of ARSC 321. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARSC 321 or permission of instructor.

ARSC422: Sculpture: Metal Casting, Advanced (4 hours studio)

Continuation of ARSC 322. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARSC 322 or permission of instructor.

ARSC423: Sculpture: Welding/Brazing, Advanced (4 hours studio)

Continuation of ARSC 323. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARSC 323 or permission of instructor.

ARSC424: Sculpture: Carving, Advanced (4 hours studio)

Continuation of ARSC 324. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARSC 324 or permission of instructor.

ARSC425: Metals: Advanced (4 hours studio)

Continuation of ARSC 325. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARSC 325 or permission of instructor.

ARSC426: Sculpture: Modeling/Casting, Advanced (4 hours studio)

Continuation of ARSC 326. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARSC 326 or permission of instructor.

ARSC450: Independent Study: Sculpture

Topics for investigation selected with approval of the instructor. May be repeated three times for a maximum of 9.0 credits. 3 sh.

Prerequisites: ARPM 300 and departmental approval.

ARSC500: Graduate Sculpture I (4 hours studio)

The student explores independently one or two materials and techniques, and begins to find direction as a sculptor. 3 sh.

ARSC510: Graduate Sculpture II (4 hours studio)

Continuation of ARSC 500. Taken serially. 3 sh.

Prerequisites: ARSC 500.

ARSC600: Graduate Sculpture III (4 hours studio)

Continuation of ARSC 510. Taken serially. 3 sh.

Prerequisites: ARSC 510.

ARSC610: Graduate Sculpture IV (4 hours studio)

Continuation of ARSC 600. Taken serially. May be repeated for a maximum of nine credits. 3 sh.

Prerequisites: ARSC 600.

ARST600: Seminar in Art I: Contemporary Art and Aesthetics (3 hours seminar)

This course involves the graduate student in a consideration of major issues in contemporary art and aesthetics. 3 sh.

Prerequisites: M.A. majors only.

ARST610: Seminar in Art II: Graduate Project (3 hours seminar)

A continuation of ARST 600. Should be taken in the student's last semester along with the completion of the Graduate Project. 3 sh.

Prerequisites: ARST 600; M.A. majors only.

FILM200: Film Making I (2 hours lecture, 3.75 hours studio)

Film Making, Beginning I. Basic elements of 16mm film production: script, camera, lighting, sound, and editing. Students will be provided with numerous opportunities to develop and express their own cinematic syntax while obtaining the necessary technical knowledge. Previous course ARFM 200 effective through Spring 2012. 3 sh.

Prerequisites: CMDA 110.

FILM201: Digital Filmmaking I (4 hours studio)

Basic elements of digital film production will be explored from script, camera, lighting, sound, and post -production. Students will work in groups and individually on narrative and experimental filmed exercises in order to explore the power of-the visual moving picture. Previous course ARFV 220 effective through Spring 2012. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

FILM205: Acting for Filmmakers (3 hours seminar)

Introduces the basic skill of acting based on the actor's inner and outer resources; concentrates on the characterization development explored in Stanislavski's Method of Physical Action; introduces theory and technique of creating a role and scoring a role; explores both solo work and scene study, lab work, acting etudes, and performance. Techniques and material will focus on film applications and acting for the camera. No Prerequisites as this is a Learning Community Class to be taught to Filmmaking Majors Freshman or first year. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

FILM220: Documentary Workshop (4 hours lecture, 4 hours studio)

Students will study the forms, styles and techniques of documentary filmmaking (Cinema Verite, Reality TV, Essay Form) and apply this knowledge through the creation of small exercises and a short documentary film. Previous course ARFM220 effective through Spring 2012. 4 sh.

Prerequisites: FILM 200 or FILM 201.

FILM221: Digital Filmmaking II (4 hours studio)

This more advanced course will build on students' basic knowledge of camera, lighting, sound recording and post-production in order to direct and produce a short film shot digitally. An emphasis will be placed on understanding the technical requirements digital production as well as narrative storytelling. Previous course ARFV 230 effective through Spring 2012. 3 sh.

Prerequisites: FILM 201.

FILM222: Production Design I (2 hours lecture, 4 hours studio)

This course will introduce students to the function, artistry and craft of film production design. Students will initially explore the emotional and psychological effect that the visual environment can convey, in purely sculptural terms (form, texture and color). They will then apply this to the craft of cinematic storytelling. Previous course ARPF 220 effective through Spring 2012. 3 sh.

Prerequisites: ENFL 208, FILM 200 or FILM 201.

FILM230: Introduction to Screenwriting (3 hours lecture)

An introduction to the art of screenwriting through short writing exercises; analysis of produced screenplays and films along with the completion of a short screenplay. Students will be expected to develop creative as well as technical aspects of the craft. Previous course ARFM 230 effective through Spring 2012. 3 sh.

FILM250: Film Forum (3 hours lecture)

Filmmakers on filmmaking: a series of lecture/presentations by some of the most influential film and video professionals working in the field today. Guest artists working on the cutting edge of technology and content development will discuss such topics as the role of film and video in contemporary society, the creative process, and the diverse and dynamic approaches to their medium. Previous course ARFM 250 effective through Spring 2012. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

FILM255: Film Story Analysis (3 hours lecture)

This course is designed to explore and deepen the understanding of story structure though the analysis of successful films. Students will learn how essential information is relayed through visual means, how dramatic momentum is built with cause and effect, and what makes a character credible and complex. Students will end the term with an ability to critically examine a film via its screenplay and apply that knowledge to their own work. 3 sh.

Prerequisites: FILM 230.

FILM260: Film Making II (2 hours lecture, 3.75 hours studio)

This course will concentrate on skills of camera and sound work in 16mm sync sound. The emphasis of this class will be on mastering solid technical skills with the equipment while working with a crew, so that the students can discover their own creative identity in making short films. Previous course ARFM 210 effective through Spring 2012. 3 sh.

Prerequisites: FILM 200.

FILM261: Theatre - Film Collaborations I (3 hours lecture)

This course will emphasize the exploration, formal experimentation, materiality, process, and exhibition context of theatre projects that include film and video. Screenings of experimental works along with theoretical readings will reflect the specific interests of students. Coursework will include two short projects along with a final project and written journal. Previous course ARPF 261 effective through Spring 2012. 3 sh.

Prerequisites: FILM 200 or FILM 201.

FILM280: Film Art: Historical and Contemporary (3 hours lecture)

The development of the motion picture as an art form from its earliest stages to the present; the technical, social, economic, cultural, and esthetic factors taught as a comparative study to approaches in contemporary cinema. Previous course ARFM 280 effective through Spring 2012. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

FILM282: The Avant-Garde Cinema (3 hours lecture)

The avant-garde cinema from its 1920-30 European surrealist roots through the 1940's American school to present-day experimental, structural and personal films. Previous course ARFM 480 effective through Spring 2012. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

FILM310: Screenwriting I (3 hours lecture)

The art and craft of writing for the screen will be both studied and practiced. After studying the fundamentals of effecive cinematic story construction and dialogue writing, students will be required to write a half hour film script. Cross listed with English, ENFL 310. Previous course ARFM 310 effective through Spring 2012. 3 sh.

Prerequisites: ENFL 208 and FLIM 230.

FILM320: Directing for Writers (2 hours lecture, 2 hours studio)

This class will develop the screenwriter's vocabulary of film language and the production crafts that comprise filmmaking, with an emphasis on directing in order to enhance visual writing skills. 3 sh.

Prerequisites: FILM 201: and FILM 310 or ENFL 310.

FILM321: Writing the Feature Film (3 hours lecture, 2 hours studio)

This course is an intensive seminar in screenwriting in the genre of original narrative films that are feature length. Screenwriters will develop material and shape into a strong narrative with an emphasis on dramatic structure, visual language and character development. Students will complete a treatment or step outline at the start of class. Through the use of readings, writing exercises, screening and workshops students will develop and learn the skills necessary to complete a part of a full-length feature screenplay. 3 sh.

Prerequisites: FILM 310 or ENFL 310.

FILM322: Writing Television/Web Series (3 hours lecture)

Students will explore the craft of writing serialized television or web programming. The course will delve into the varied genres of a series and the diverse writing styles and approaches required. In addition to studying existing successful programs, the course will clarify the necessary skills needed for writing the various genres of serialized entertainment. 3 sh.

Prerequisites: FILM 310 or ENFL 310.

FILM323: Adaptation (3 hours lecture)

This course will provide an introduction to a specific approach to the art of choosing and adapting source material. Students will develop source material from books, magazines, or other sources and adapt it into a screenplay or series for TV or the Web. 3 sh.

Prerequisites: FILM 310 or ENFL 310.

FILM324: Writint for Interactive Media (3 hours lecture)

This course will introduce students to the specific requirements necessary to write and create satisfying interactive media including video games, point of sale, and video installations. Students will learn about the complex worlds that are the province of gaming, how to create them along with the unique stories involved. 3 sh.

Prerequisites: FILM 310 or ENFL 310.

FILM330: Film III: Directing Workshop (4 hours lecture, 4 hours studio)

This course will allow students to focus on the process of directing actors. A special emphasis will be placed on communicating with actors to extract dynamic performances while also focusing on planning coverage, blocking, the importance of sets, props and costumes, camera movement, visualizing subtext, and editorial choices. Previous course ARFM 300 effective through Spring 2012. 4 sh.

Prerequisites: FILM 230, FILM 260 and ENFL 208.

FILM360: Film Editing (2 hours lecture, 2 hours studio)

Principles and techniques of film editing: artistic and esthetic concepts; practice with standard editing equipment. Previous course ARFM 360 effective through Spring 2012. 3 sh.

Prerequisites: FILM 260.

FILM361: Theatre - Film Collaborations II (2 hours lecture, 4 hours lab)

Continuation of FILM 261. This course will emphasize the exploration, formal experimentation, materiality, process, and exhibition context of theatre projects that include film and video. Screenings of experimental works along with theoretical readings will reflect the specific interests of students. Coursework will include a group project and/or a large individual project, short essays, and written journal. Previous course ARPF 361 effective through Spring 2012. 3 sh.

Prerequisites: FILM 261.

FILM362: Sound Recording and Design (2 hours lecture, 2 hours studio)

An introduction to the art of Sound Recording and Design through demonstration and lectures on theory and practice as well as exercises recording sound, mixing, and designing soundscapes for film. Students will be expected to develop creatively as well as learn the technical aspects of the craft. Previous course ARFM 240 effective through Spring 2012. 3 sh.

Prerequisites: FILM 200 or FILM 201.

FILM363: Integrated Media (4 hours lab)

Students will explore and produce works incorporating art, science and technology in order to enable them to apply new technologies and integrate multiple media and disciplines into new forms of expression. In this laboratory setting students will utilize video, sound, music, robotics, gaming and computer graphics. Previous course ARFV 320 effective through Spring 2012. 3 sh.

Prerequisites: FILM 200 or FILM 201.

FILM364: Production Management (3 hours lecture)

An introductory course to Professional Production Management that provides the student with the information and practice or managing the making of a feature film or long form television show. Students will examine the structure of the crew and the collaborative responsibilities of crew members, the legal issues of permits, insurance, rights, clearances and permissions; Screen Actors Guild requirements, the management of the production including scheduling, budgeting, transportation, and the production's responsibilities to cast and crew. Each student will be required to prepare a production book for his or her shoot.by the end of the class that will include a final marked script, script breakdown pages, shooting schedule, budget, cast, crew and location lists. Previous course ARFM 462 effective through Spring 2012. 3 sh.

Prerequisites: FILM 200 or FILM 201.

FILM365: Motion Graphics (3 hours studio)

An Introduction to Motion Graphics through lectures, project demos, and assigned projects and exercises. Students will acquire a basic knowledge of Adobe After Effects as a primary tool for creating motion graphics, and will be encouraged to learn this software in depth. Opportunities to work on an advanced level will be provided through independent and group-projects. Projects will stress different applications of motion graphics in film and television, from creative / experimental art pieces to deadline-oriented, client driven graphics. 3 sh.

Prerequisites: FILM 200 or FILM 201.

FILM366: Principles of Cinematography (2 hours lecture, 2 hours studio)

Exercises in the use of camera equipment and practice in composition, perspective, interpretive lighting and camera movement. Previous course ARFM 363 effective through Spring 2012. 3 sh.

Prerequisites: FILM 260.

FILM367: Production Design II (2 hours lecture, 2 hours studio)

This more advanced production design course will enable students to explore the collaborative process between the director, cinematographer and the production designer in creating the visual metaphors of a script. Students will learn the artistic expression of production design along with the practical considerations of budget, time and crew constraints. Previous course ARPF 320 effective through Spring 2012. 3 sh.

Prerequisites: FILM 222.

FILM368: Film Finance, Marketing, and Distribution (3 hours lecture)

An overview of the financing, marketing, and distribution of feature films, shorts, and television projects. Students will learn financing procedures involved in production, contractual arrangements, legal obligations, and the skills that will help them prepare budgets for production as well as for marketing, film festivals, and distribution. Previous course ARFM 463 effective through Spring 2012. 3 sh.

Prerequisites: ENFL 208; and ENWR 105 or HONP 100.

FILM410: Screenwriting II (3 hours lecture)

This is a more advanced course in which students will work on a major screen writing project of their choosing. Students will have the option to develop and write a senior thesis film, serialized narratives or longer dramas. Particular attention will be paid to honing dramatic structure, visual language and character development. Cross listed with Art and Design, ENFL 410. Previous course ARFM 410 effective through Spring 2012. 3 sh.

Prerequisites: FILM 310 or ENFL 310.

FILM420: Independent Study in Production Design

Topics for investigation selected with the approval of the instructor. May be repeated three times for a maximum of 9.0 credits. Previous course ARPF 450 effective through Spring 2012. 3 sh.

Prerequisites: FILM 367.

FILM422: Art Directing Workshop (2 hours lecture, 2 hours studio)

Students will learn the fundamentals of art direction through the use of workshops and exercises designed to enhance an understanding of how to translate desired moods, messages, concepts, and underdeveloped ideas into imagery. Students will scrutinize scripts in conjunction with a director and arrive at a visual plan for a film, which adheres to the budgetary constraints of the production. Previous course ARPF 420 effective through Spring 2012. 3 sh.

Prerequisites: FILM 222.

FILM440: Actor/Director Master Class (1 hour lecture, 5 hours studio)

Study with Master Director and/or Actor developing interdisciplinary skills in Film and/or Multimedia that focus on the relationship and collaboration between actors and directors. Incorporating the history of performance, filmmaking, and new approaches using the latest technologies of digital and film - audio visual formats. The artist-in-residence will direct and critique the student's work and/or create a work with the students in a group. Previous course ARPF 441 effective through Spring 2012. 3 sh.

Prerequisites: FILM 320 or FILM 330.

FILM452: Game Development (4 hours studio)

Students will learn Flash software, web animation authoring tools and will develop the skills necessary to create web-based multimedia using sound, graphics, animation and interactive components. Students will plan and create final projects such as an informational or instructional tutorial, a dynamic simulation or a multimedia game. Previous course ARFV 420 effective through Spring 2012. 3 sh.

Prerequisites: FILM 320 or FILM 330.

FILM455: Commercial Directing (1 hour lecture, 3 hours studio)

Filmmaking students will learn the process creating commercials, public service announcements as well as political spots. Students will gain an understanding into the agency and client relationship as well as the importance of the director's reel. Previous course ARFV 421 effective through Spring 2012. 3 sh.

Prerequisites: FILM 320 or FILM 330.

FILM460: Experimental Film/Digital Workshop I (2 hours lecture, 2 hours studio)

This course will emphasize the exploration, formal experimentation, materiality, process, and exhibition context of video exhibitions. Screenings of experimental works along with theoretical readings will reflect the specific interests of students. Coursework will include three short projects along with a final project and written journal. Previous course ARFV 431 effective through Spring 2012. 3 sh.

Prerequisites: FILM 320 or FILM 330.

FILM461: Experimental Film/Digital Workshop II (2 hours lecture, 2 hours studio)

Continuation of FILM460. Screenings of experimental works along with theoretical readings will reflect the specific interests of students. Coursework will include two short projects along with a final project and written journal. Previous course ARPF 461 effective through Spring 2012. 3 sh.

Prerequisites: FILM 460.

FILM462: Advanced Master Class in Screenwriting (3 hours lecture)

This course is for the most advanced students who have completed a feature length screenplay and are ready to go to the next level. Students will have the opportunity to work with industry professionals who will visit the classroom and hear readings and pitches of student's work. These professionals will include screenwriters, producers, directors, executives and agents who will work with students to perfect their material and prepare it for the marketplace. Students would be selected and given permission to take this class as per the merit of their work. 3 sh.

Prerequisites: FILM 410 and permission of Director of Screenwriting program or departmental approval.

FILM463: Advanced Film Workshop: Advanced film Workshop (4 hours lecture, 4 hours studio)

A topical class that provides students unique opportunities to produce individual and/or group work thematically related to a theme or topic chosen by the Instructor. This studio course is completely project based giving students real world experience. Topics and themes will change. Can be repeated up to 12 Credits, and taken independently as a mentorship. Previous course ARFM 400 effective through Spring 2012. 3 sh.

Prerequisites: FILM 310 or ENFL 310.

FILM464: Filmmaking Internship (1 hour other)

Advanced students fulfill a portion of their Filmmaking Concentration requirements working for a professional film, television, or media company and gaining field experience. This experience should enable the student to gain working knowledge of the film/video industry under the supervision of a mentor in the field and a faculty member at the college. Previous course ARFM 464 effective through Spring 2012. 1 - 9 sh.

Prerequisites: FILM 260.

FILM491: Thesis Project I (3 hours lecture, 1 hour studio)

This course is an intensive seminar designed to prepare students to complete a final thesis film by the end of Spring semester. It will include development (determining content and scope of project), pre-production (planning and shoot scheduling and budgeting), and some production. Emphasis will be placed on the understanding and development of a style of one's own appropriate to the content of the thesis project as presented in class. Through the use of readings, professional guest, screenings and critique, students will be expected to have completed a camera ready script and visual mood book for their final thesis film by the end of the Fall semester. 3 sh.

Prerequisites: FILM 320 or FILM 330.

FILM492: Thesis Project II (3 hours lecture, 1 hour studio)

This course concentrates on the production aspect of the thesis film. The main emphasis of this class will be on shooting and editing the final work. Time will be spent in detailed critique of dailies, rough cut and fine cut. Students will prepare their work for final presentation to the class, the faculty, in the senior show, and for their portfolios. The goal of the class will be to strengthen the work through critique and analysis. 3 sh.

Prerequisites: FILM 491.