ARCE200: Ceramics: Pottery and Sculpture, Beginning I

Introduction to the development of works in clay, studio forming methods, clay compositions, glazing and firing, design/aesthetic/stylistic concerns, historical and contemporary ceramics. Meets Gen Ed 2002 - Fine and Performing Arts. (6 hours studio.) 3 sh.

ARCE210: Ceramics: Pottery and Sculpture, Beginning II

Continuation of ARCE 200. (6 hours studio.) 3 sh.

Prerequisites: ARCE 200.

ARCE300: Ceramics: Pottery and Sculpture, Intermediate

Continuation of ARCE 210. (4 hours studio.) 3 sh.

Prerequisites: ARCE 210.

ARCE400: Ceramics: Pottery and Sculpture, Advanced

Continuation of ARCE 300. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARCE 300 or departmental approval.

ARCE450: Independent Study in Ceramics: Pottery and Sculpture

Topics for investigation selected with the approval of the instructor. May be repeated twice for a maximum of 9.0 credits. () 3 sh.

Prerequisites: ARCE 300 or departmental approval.

ARCE500: Graduate Ceramics: Pottery and Sculpture I

The emphasis of this course is on the development of a body of work that reflects a personal aesthetic and shows an imaginative, sophisticated application of ceramic studio technology. (2 hours lecture, 2 hours studio.) 3 sh.

Prerequisites: Portfolio review, departmental approval.

ARCE510: Graduate Ceramics: Pottery and Sculpture II

Continuation of ARCE 500. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: Departmental approval.

ARCE553: Independent Study in Graduate Ceramics I

Under this course designation graduate students engage in a program of advanced study in Ceramics. The direction, scope and evaluation of the work are developed in consultation with the instructor. Required readings, recommendations of research into artists, exhibitions and studio techniques will also be developed through consulation with the instructor. The progress of the work will be evaluated by regular meetings and by scheduled critiques. May be repeated for a maximum total of 9.0 credits. () 1 - 9 sh.

Prerequisites: Departmental approval.

ARCE600: Graduate Ceramics: Pottery and Sculpture III

Continuation of ARCE 510. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: Departmental approval.

ARCE610: Graduate Ceramics: Pottery and Sculpture IV

Continuation of ARCE 600. Taken serially. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: Departmental approval.

ARCE653: Independent Study in Graduate Ceramics II

Under this course designation graduate students engage in a program of advanced study in Ceramics. The direction, scope and evaluation of the work are developed in consultation with the instructor. Required readings, recommendations of research into artists, exhibitions and studio techniques will also be developed through consultation with the instructor. The progress of the work will be evaluated by regular meetings and by scheduled critiques. May be repeated for a maximum total of 9.0 credits. () 1 - 9 sh.

Prerequisites: Successful completion of ARCE 553 and departmental approval.

ARDW200: Drawing, Beginning I

Basic elements of line, tone, composition, and perspective; exploration of traditional and experimental media and materials; and investigation of still life, landscape, life drawing, portraiture, and abstraction. Meets Gen Ed 2002 - Fine and Performing Arts. (6 hours studio.) 3 sh.

ARDW201: Life Drawing, Beginning I

Structure and proportions of the human figure. Study of skeletal and muscular structure, the figure at rest and in motion, isolated and in a setting. Expressive as well as analytical approach to drawing. Exploration of traditional as well as current techniques and media. Meets Gen Ed 2002 - Fine and Performing Arts. (6 hours studio.) 3 sh.

ARDW210: Drawing, Beginning II

Continuation of ARDW 200. (6 hours studio.) 3 sh.

Prerequisites: ARDW 200.

ARDW211: Life Drawing, Beginning II

Continuation of ARDW 201. (6 hours studio.) 3 sh.

Prerequisites: ARDW 201.

ARDW300: Drawing, Intermediate

Continuation of ARDW 210. (4 hours studio.) 3 sh.

Prerequisites: ARDW 210.

ARDW301: Life Drawing, Intermediate

Continuation of ARDW 211. (4 hours studio.) 3 sh.

Prerequisites: ARDW 211.

ARDW400: Drawing, Advanced

Continuation of ARDW 300. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARDW 300.

ARDW401: Life Drawing, Advanced

Continuation of ARDW 301. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARDW 301.

ARDW450: Independent Study in Drawing

Topics for investigation selected with the approval of the instructor. May be repeated twice for a maximum of 9.0 credits. () 3 sh.

Prerequisites: ARDW 300 or departmental approval.

ARDW451: Independent Study in Life Drawing

Topics for investigation selected with the approval of the instructor. May be repeated twice for a maximum of 9.0 credits. () 3 sh.

Prerequisites: Departmental approval.

ARDW500: Graduate Drawing

In this course students will learn through perceptual and abstract studies to explore ideas of memory, symbolic form, utopian/dystopian concepts, and collaborative approaches to drawing. Contemporary and historical examples will be examined to enable students to better evaluate their own work and introduce new ways of thinking about graphic systems and their wider practice. () 3 sh.

ARDW501: Graduate Life Drawing I

Advanced problems in drawing based upon a study of the human figure. (4 hours studio.) 3 sh.

ARDW511: Graduate Life Drawing II

Continuation of ARDW 501. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARDW 501.

ARDW601: Graduate Life Drawing III

Continuation of ARDW 511. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARDW 511.

ARDW611: Graduate Life Drawing IV

Continuation of ARDW 601. Taken serially. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARDW 601.

ARFI200: Fibers and Fabrics, Beginning I

Techniques employed by fiber artists and the textile industry; on-loom and off-loom weaving, spinning and vegetable dyeing, and fabric and fiber techniques in contemporary work. (6 hours studio.) 3 sh.

ARFI201: Textile Design, Introduction

Pattern rendering and putting designs into repeat for the textile industry. (4 hours studio.) 3 sh.

ARFI210: Fibers and Fabrics, Beginning II

One or more areas of endeavor selected for exploration. Emphasizes research into the various techniques and mastery of the methods. (6 hours studio.) 3 sh.

Prerequisites: ARFI 200.

ARFI222: Surface Design, Introduction A

Selected printing, dyeing and fabric manipulation techniques. (6 hours studio.) 3 sh.

ARFI223: Leather, Introduction A

Use of skins and hides to create items of artistic and/or functional value. Emphasis on the design and execution of works in one or all forms of leather and fur. (4 hours studio.) 3 sh.

ARFI232: Surface Design, Introduction B

Continuation of ARFI 222. (6 hours studio.) 3 sh.

Prerequisites: ARFI 222.

ARFI233: Leather, Introduction B

Continuation of ARFI 223. (4 hours studio.) 3 sh.

Prerequisites: ARFI 223.

ARFI281: Global Textiles

Study of diverse textile traditions around the world. (3 hours lecture.) 3 sh.

ARFI300: Fibers and Fabrics, Intermediate

Further exploration of a technique or techniques selected by the student. A research paper on the historical implications of a technique and a final project are required. (4 hours studio.) 3 sh.

Prerequisites: ARFI 210.

ARFI301: Textile Design, Advanced

Advanced course in designing prints for the textile industry. Primary emphasis is the further development of a personal aesthetic appropriate to industry needs as well as that of the student-designer. May be repeated for a maximum of nine credits. (1 hour lecture, 3 hours studio.) 3 sh.

Prerequisites: ARFI 201.

ARFI322: Surface Design, Intermediate

Continuation of ARFI 232. (4 hours studio.) 3 sh.

Prerequisites: ARFI 232.

ARFI323: Leather, Intermediate

Continuation of ARFI 233. (4 hours studio.) 3 sh.

Prerequisites: ARFI 233.

ARFI400: Fibers and Fabrics, Advanced

Exploration of area or areas of textile techniques selected by the student. An exhibit of work done during the semester is to be planned and hung by the student. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARFI 300.

ARFI422: Surface Design, Advanced

Continuation of ARFI 322. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARFI 322.

ARFI423: Leather, Advanced

A continuation of the study of skins, hides and fur as creative materials. Emphasis is placed on the use of the basic skills learned in the preceding courses. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARFI 323.

ARFI451: Independent Study in Textiles

Topics for investigation selected with the approval of the instructor. May be repeated twice for a maximum of 9.0 credits. () 3 sh.

Prerequisites: ARFI 300.

ARFI460: Fiber Sources Field Trips

Weekly field trips to museums and galleries, artist's studios and textile companies in New York and New Jersey. May be repeated for a maximum of nine credits. () 3 sh.

Prerequisites: ARFI 200.

ARFI461: Applied Textile Design

Designing for the power loom with emphasis on the jacquard process. (4 hours studio.) 3 sh.

Prerequisites: ARFI 400.

ARFI500: Graduate Form in Fiber I

Designing with simple and four harness floor looms in a variety of techniques and materials. Taken serially. (6 hours studio.) 3 sh.

ARFI510: Graduate Form in Fiber II

Primary emphasis on designing with simple and four harness table and floor looms. A variety of techniques and materials. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARFI 500.

ARFI522: Graduate Decoration of Fabrics I

Survey course in all aspects of fabric embellishment; tie-dye, batik, blockprint, tritik discharge, silkscreen printing, 3M matrix, etc. Taken serially. (6 hours studio.) 3 sh.

ARFI524: Graduate Off-Loom Textiles I

Development of forms through a variety of off-loom techniques used singly or in combination. Taken serially. (4 hours studio.) 3 sh.

ARFI532: Graduate Decoration of Fabrics II

Continuation of ARFI 522. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARFI 522.

ARFI534: Graduate Off-Loom Textiles II

Continuation of ARFI 524. Taken serially. Fabric embellishment which was begun in graduate Decoration of Fabric I, II, III. (4 hours studio.) 3 sh.

Prerequisites: ARFI 524.

ARFI580: Graduate Problems in Textile Research

The effect of centuries of textile traditions on the modern fiber artist. (3 hours lecture.) 3 sh.

ARFI600: Graduate Form in Fiber III

Continuation of ARFI 510. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARFI 510.

ARFI610: Graduate Form in Fiber IV

Continuation of ARFI 600. Taken serially. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARFI 600.

ARFI622: Graduate Decoration of Fabric III

Continuation of ARFI 532. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARFI 532.

ARFI624: Graduate Off-Loom Textiles III

Intensive consideration of all fiber construction techniques that do not depend on the loom; choice of one technique for intensive study. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARFI 534.

ARFI632: Graduate Decoration of Fabrics IV

Continuation of ARFI 622. Taken serially. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARFI 622.

ARFI634: Graduate Off-Loom Textiles IV

Intensive work in a chosen non-loom textile technique, eg., knotting. Taken serially. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARFI 624.

ARFM200: Film Making, Beginning I

Basic elements of super 8 film production: script, camera, lighting, sound, editing, animation. Offered as ARFM 200 through Spring 2012. To become FILM 200 effective Summer 2012. (2 hours lecture, 4 hours studio.) 3 sh.

ARFM210: Film Making, Beginning II

Basic elements of 16 mm film production. Script, camera, lighting, sound, editing, animation. Offered as ARFM 210 through Spring 2012. To become FILM 260 effective Summer 2012. (2 hours lecture, 4 hours studio.) 3 sh.

Prerequisites: ARFM 200.

ARFM220: Documentary Film Workshop

Students will study the forms, styles and techniques of documentary filmmaking (Cinema Verite, Reality TV, Essay Form) and apply this knowledge through the creation of small exercises and a short documentary film. Offered as ARFM 220 through Spring 2012. To become FILM 220 effective Summer 2012. (4 hours lecture, 4 hours studio.) 4 sh.

Prerequisites: ARFM 210.

ARFM230: Introduction to Screenwriting: The Short Forms

An introduction to the art of screenwriting through short writing exercises; analysis of produced screenplays and films along with the completion of a short screenplay. Students will be expected to develop creative as well as technical aspects of the craft. Offered as ARFM 230 through Spring 2012. To become FILM 230 effective Summer 2012. (3 hours lecture.) 3 sh.

ARFM240: Sound Recording and Design

An introduction to the art of Sound Recording and Design through demonstration and lectures on theory and practice as well as exercises recording sound, mixing, and designing soundscapes for film. Students will be expected to develop creatively as well as learn the technical aspects of the craft. Offered as ARFM 240 through Spring 2012. To become FILM 362 effective Summer 2012. (2 hours lecture, 2 hours studio.) 3 sh.

Prerequisites: ARFM 200.

ARFM250: Film Forum

Filmmakers on filmmaking: a series of lecture/presentations by some of the most influential film and video professionals working in the field today. Guest artists working on the cutting edge of technology and content development will discuss such topics as the role of film and video in contemporary society, the creative process, and the diverse and dynamic approaches to their medium. Offered as ARFM 250 through Spring 2012. To become FILM 250 effective Summer 2012. (3 hours lecture.) 3 sh.

ARFM280: Film as Art: Historical and Contemporary

The development of the motion picture as an art form from its earliest stages to the present; the technical, social, economic, cultural and esthetic factors. Offered as ARFM 280 through Spring 2012. To become FILM 280 effective Summer 2012. (3 hours lecture.) 3 sh.

ARFM300: Film Making, Intermediate

Intensive focus on narrative scene direction: techniques of cinematography, sound recording and cinematic language are explored in the creation of short scenes and exercises shot both in Film and Video. Offered as ARFM 300 through Spring 2012. To become FILM 330 effective Summer 2012. (4 hours lecture, 4 hours studio.) 4 sh.

Prerequisites: ARFM 210.

ARFM310: Screenwriting I

The art and craft of writing for the screen will be both studied and practiced. After studying the fundamentals of effecive cinematic story construction and dialogue writing, students will be required to write a half hour film script. Cross listed with English, ENFL 310. Offered as ARFM 310 through Spring 2012. To become FILM 310 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENFL 208 and ARFM 200.

ARFM360: Film Editing

Principles and techniques of film editing: artistic and esthetic concepts; practice with standard editing equipment. Offered as ARFM 360 through Spring 2012. To become FILM 360 effective Summer 2012. (2 hours lecture, 2 hours studio.) 3 sh.

Prerequisites: ARFM 210.

ARFM363: Principles of Cinematography

Exercises in the use of camera equipment and practice in composition, perspective, interpretive lighting and camera movement. Offered as ARFM 363 through Spring 2012. To become FILM 366 effective Summer 2012. (2 hours lecture, 2 hours studio.) 3 sh.

Prerequisites: ARFM 210.

ARFM400: Film Making, Advanced

Intensive focus on the cinematic sequence. Building on the techniques of narrative scene construction, the progression of scenes in a sequence is explored. Advanced techniques in Sound Design, Cinematography, Editing, Production Design and Direction of actors will also be explored. May be repeated for a maximum of 12 credits. Offered as ARFM 400 through Spring 2012. To become FILM 463 effective Summer 2012. (4 hours lecture, 4 hours studio.) 4 sh.

Prerequisites: ARFM 300.

ARFM410: Screenwriting II

This course is a continuation of Screenwriting I in which each student will work on a major screenwriting project: two one-half hour episodes, an hour long script or a first draft of a feature film. In developing the project, the individual needs of the student will be addressed. Cross listed with English, ENFL 410. Offered as ARFM 410 through Spring 2012. To become FILM 410 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ARFM 310.

ARFM450: Independent Study in Film

Topics selected with the approval of the instructor. May be repeated twice for a maximum of 9.0 credits. Offered as ARFM 450 through Spring 2012. To become FILM 450 effective Summer 2012. () 3 sh.

Prerequisites: ARFM 300.

ARFM462: Narrative Film Workshop

Narrative film production; individual or group expression in making a fictional film. Offered as ARFM 462 through Spring 2012. To become FILM 364 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ARFM 210.

ARFM463: Film Finance, Marketing, and Distribution

An overview of the financing, marketing, and distribution of feature films, shorts, and television projects. Students will learn financing procedures involved in production, contractual arrangements, legal obligations, and the skills that will help them prepare budgets for production as well as for marketing, film festivals, and distribution. Offered as ARFM 463 through Spring 2012. To become FILM 368 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARFM464: Filmmaking Internship

Advanced students fulfill a portion of their Filmmaking Concentration requirements working for a professional film, television, or media company and gaining field experience. This experience should enable the student to gain working knowledge of the film/video industry under the supervision of a mentor in the field and a faculty member at the college. Offered as ARFM 464 through Spring 2012. To become FILM 464 effective Summer 2012. (3 hours other.) 3 sh.

Prerequisites: ARFM 210.

ARFM480: The Avant-Garde Cinema

The avant-garde cinema from its 1920-30 European surrealist roots through the 1940's American school to present-day experimental, structural and personal films. Offered as ARFM 480 through Spring 2012. To become FILM 282 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ARFM 200.

ARFM500: Graduate Cinematography I

Techniques, materials and theories of motion picture production for visually experienced students. (4 hours studio.) 3 sh.

ARFM510: Graduate Cinematography II

Continuation of ARFM 500. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARFM 500.

ARFM580: Film as a Visual Art

An understanding of the development of the motion picture as an art form. Viewing, analysis, reading, and/or actual participation in the production of film images. (3 hours lecture.) 3 sh.

Prerequisites: Departmental approval.

ARFM600: Graduate Cinematography III

Continuation of ARFM 510. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARFM 510.

ARFM610: Graduate Cinematography IV

Continuation of ARFM 600. Taken serially. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARFM 600.

ARGD200: Graphic Design, Beginning I

Introduction to graphic design principles. This course is involved in taking basic design information and translating it into a graphic design context, with main emphasis on communicating original ideas in a creative manner. Projects deal with graphic design principles, i.e., visual communication of information, composition, color, type, illustration, materials and methods of graphic design. Introduction to critique and presentation, along with the principle of the designer/client relationship. (6 hours studio.) 3 sh.

Prerequisites: ARFD 122.

ARGD210: Graphic Design, Beginning II

Focuses on creative design development within various graphic design specializations: print (flat and folding); packaging; product & environmental graphics; and graphics for interactive media. Students explore typeface choice and proper use of typography, as well as professional methods of comping and presentation by hand and with industry standard software: this begins development of a student's graphic design portfolio. (2 hours lecture, 3.75 hours studio.) 3 sh.

Prerequisites: ARGD 200.

ARGD211: Fundamentals of Adobe Creative Suite - Mac

A project and exercise-based approach to learning the programs used by graphic designers on Macintosh computers, covering the fundamentals of the latest versions of the Adobe Creative Suite series: Adobe Illustrator CS, InDesign CS, and Adobe Photoshop CS. These programs are prerequisite for all those interested in working within the design and publishing industries. The use of scanners for importing both art and text will also be investigated. Instruction in the course is tutorial-based, with supplemental lectures and demonstrations. (2 hours lecture, 4 hours studio.) 3 sh.

ARGD220: Graphic Technology for the Artist and Designer

A survey of the techniques used in the production of all printed materials; the use of materials and equipment commonly used by commercial printers, graphic designers, photographers, and printmakers. Offered as ARGD 220 through Spring 2011. To become ARGD 110 effective Summer 2011. (3 hours lecture.) 3 sh.

Prerequisites: ARGD 200.

ARGD221: Typography I

Typography I is an introduction to the history and design of letterforms. Students become proficient in typeface design and typeface selection through handwriting exercises and through projects that explore the effects of compositional variables such as point size, letterspacing, linespacing, and kerning. The course provides the basis for professional typesetting through its focus on the meaningful arrangement of language. (4 hours studio.) 3 sh.

ARGD280: Design in Visual Culture

This course traces the development of visual communication from the first cave paintings to the present day. Presentations cover a wide range of visual communication, from printed forms - books, posters, packaging, and advertisements - to electronic media - television, computers, and the Internet. Emphasis is placed on how cultural and technological developments have affected our viewpoints of the relationship and use of images and typography. This course utilizes Blackboard for weekly quizzes and exams. (3 hours lecture.) 3 sh.

ARGD300: Graphic Design, Intermediate

Builds upon the skills and processes learned in previous graphic design courses with emphasis on concept development and typographic systems. Proper production using industry standard software is stressed. Students prepare a portfolio of their work for evaluation at the end of the semester. This portfolio must include evidence of research, conceptual development, preliminary comps, and final designs for each class project. (4 hours studio.) 3 sh.

Prerequisites: ARGD 211, ARGD 210 and ARGD 221.

ARGD400: Graphic Design, Advanced I

Class emphasis is on reinforcing the design process, along with learning the business of design, i.e., bidding, contracts, scheduling and client presentation. In-class work time is divided between studio and computer lab. Student will develop a portfolio of their work for final review. (4 hours studio.) 3 sh.

Prerequisites: ARGD 300.

ARGD410: Interactive Multimedia Design

This course is an introductory experience in multimedia design on the Macintosh computer. It provides students with a conceptual background and the working knowledge necessary to produce a variety of interactive multimedia materials for the Web and presentation visuals. The focus of the course is on developing the skills, techniques, and creative components needed to create interactive and animated visuals, including the integration and editing of audio and video components. Current predominant software will provide the instructional course platform. (2 hours lecture, 2 hours lab.) 3 sh.

Prerequisites: ARGD 210 or permission of instructor.

ARGD421: Typography II

Builds on the themes and procedures explored in Typography I. The course emphasizes craft, teamwork, and interdisciplinary problem solving methods as a means to solve complex typographic problems. Students formulate concepts and apply relevant typographic strategies by thinking intuitively and systematically. In addition to a sophisticated body of work in two- and three-dimensional formats, students also learn to use motion graphics software to product kinetic typography. (4 hours studio.) 3 sh.

Prerequisites: ARGD 300.

ARGD422: Advanced Computer Graphics

Advanced problems in graphic design on the Macintosh computer. Emphasis will be placed on utilizing the Macintosh for solving design problems. Advanced page layout and graphic programs will be explored. Course is oriented toward the graphic designer. (2 hours lecture, 2 hours studio.) 3 sh.

Prerequisites: ARFD 210 and 211.

ARGD423: Advertising Design

The specific nature of advertising and its connection to graphic design. What is involved in creating an advertising campaign. How designers work with advertisers and copywriters. A brief history of advertising and advertising agencies. (4 hours studio.) 3 sh.

Prerequisites: ARGD 300.

ARGD424: Publication Design

How to effectively design a publication so that it easily communicates the client's needs. Combining type, photography and illustration in a page layout. Variations and limitations encountered in designing a publication. Design systems used in creating publications. (4 hours studio.) 3 sh.

Prerequisites: ARGD 300.

ARGD425: Web Page Design

Web page design introduces students to the fundamentals of creating and managing Web sites. Specific attention focuses on learning what makes a good Web page, how to develop a plan for a Web site, and the problem solving techniques used in creating a workable Web site based on a defined audience. (2 hours lecture, 2 hours studio.) 3 sh.

Prerequisites: ARGD 210 or permission of instructor.

ARGD434: Package Design

A survey of the state of the art in packaging. Course projects will be based on the consumer product industry. Graphic problems for three-dimensional objects and display. Package design comprehensive techniques for art director and client presentation. Grasping product essence and interpreting client needs and the demands of the marketplace. (4 hours studio.) 3 sh.

Prerequisites: ARGD 300.

ARGD435: Graphic Design Internship

An internship at a graphic design studio, advertising agency, or related business at which the student will have the opportunity to work with professionals in the field of graphic design. May be repeated once for a total of 8.0 credits. () 4 sh.

Prerequisites: ARGD 210 and departmental approval.

ARGD460: Graphic Design, Advanced II

The final course in the sequence of graphic design courses, Graphic Design, Advanced II focuses on the development of a student's final portfolio of graphic design projects, along with the development of resume and cover letters. Students refine projects from previous courses, as well as adding new projects to focus their portfolio for their chosen specialization in graphic design. Students present their portfolios to faculty and invited designers at mid-term and at the end of the semester for critical review. (4 hours studio.) 3 sh.

Prerequisites: ARGD 400.

ARGS553: Independent Study, Graduate I

Under this course designation advanced students may either expand or extend their experience in a chosen field or medium. Direction, conduct and evaluation of the work are developed in consultation with the instructor. As a basis for admission and planning, each student will present a representative selection of his/her prior work in the chosen medium. Credits to be arranged. May be repeated for a maximum of 9.0 credits. () 1 - 8 sh.

Prerequisites: Departmental approval.

ARGS560: Graduate Visual Arts Workshop

Selected studio topics which represent current concerns within the contemporary world of the visual arts. May be repeated for a maximum of 24.0 credits as long as the topic is different. () 1 - 12 sh.

Prerequisites: Departmental approval.

ARGS653: Independent Study, Graduate II

Under this course designation advanced students may either expand or extend their experience in a chosen field or medium. Direction, conduct and evaluation of the work are developed in consultation with the instructor. As a basis for admission and planning, each student will present a representative selection of his/her prior work in the chosen medium. Credits to be arranged. May be repeated for a maximum of 9.0 credits. () 1 - 8 sh.

Prerequisites: Departmental approval.

ARGS680: Field Trip in Studio

Travel courses to art sources in the United States and foreign countries not to exceed six graduate credits. First hand contact with the historic art forms of the places visited and with artists and craftsmen. Each student selects an area of study in which the places visited have rich art sources. As preparation for the course, the student outlines a chosen study problem, reads background material, and lists sources they expect to utilize. Subject(s) to be defined by the professor. May be repeated for a maximum of twelve credits. () 2 - 6 sh.

Prerequisites: Departmental approval.

ARHS105: Art in Western Civilization: Ancient and Medieval

The history of Western art and architecture from Prehistoric Europe through the Middle Ages. The course covers ancient Mesopotamia and Egypt, Greece and Rome, then Byzantine, Early Medieval, Romanesque, and Gothic art. Museum visits and extensive reading. Required for Fine Arts majors. Meets Gen Ed 2002 - Humanities, World Literature or General Humanities. Meets the University Writing Requirement for majors in Animation and Illustration, Fine Arts, and Graphic Design. Offered as ARHS 105 through Spring 2012. To become ARHT 105 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS106: Art in Western Civilization: Renaissance to Modern

The history of Western art and architecture from the fifteenth century to the present. Included are the arts of the Renaissance, Baroque, Rococo, Romantic, Impressionist and Modern periods. Museum visits and extensive reading. Required for fine arts majors. Meets Gen Ed 2002 - Humanities, World Literature or General Humanities. Meets the University Writing Requirement for majors in Animation and Illustration, Fine Arts, and Graphic Design. To become ARHT 106 effective Summer 2012. Offered as ARHS 106. (3 hours lecture.) 3 sh.

ARHS108: Women in Art

The role and status of women in art from the Old Stone Age through the present; the special roles of women in the past in society, the role of women artists in Western culture from the Renaissance to the present; depictions of women in different iconographic categories; women as artists today. Offered as ARHS 108 through Spring 2012. To become ARHT 190 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS200: Resources and Methods of Research in the Arts

Bibliographic and other scholarly resources; the special problems of scholarship and research. Offered as ARHS 200 through Spring 2012. To become ARHT 200 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS215: Ancient Art

The origins of art and the civilizations of the ancient world; Paleolithic man and the Sumerian, Hittite, Assyrian, Phoenician and Egyptian civilizations. 3 sh.

ARHS216: Renaissance Art in Italy: The Fifteenth Century

The formation of Renaissance painting, sculpture and architecture during the Quattrocento; Masaccio, Mantegna, Donatello, Brunelleschi, and Alberti emphasized. Offered as ARHS 216 through Spring 2012. To become ARHT 331 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS217: Selected Masterpieces of World Art

An introduction to key works of art representing prehistoric cultures, the ancient world, the East, the Renaissance, and the Modern period; museum and gallery trips, reading and discussion. For non-art majors. Offered as ARHS 217 through Spring 2012. To become ARHT 100 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS220: Art in Non-Western Societies

A consideration of the role of art in traditional non-western societies. The course includes an introduction to the geographic setting, and an examination of the integration of art into society as a whole - the economics, social order, politics, history, religion and philosophy. The role art plays in social change and how it is affected by social change. Meets Gen Ed 2002 - Social Science, Non-Western Cultural Perspectives. Meets the World Languages and Cultures Requirement - World Cultures. Offered as ARHS 220 through Spring 2012. To become ARHT 101 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS223: Shelter Form as Art

The concepts and forms of shelter; the ways in which men and animals have housed themselves from primitive times to the present; interior spacial qualities and utilization and the role of adornment, decoration and exterior configurations. Projects include model making. 3 sh.

ARHS230: History of the Print

The principal types of prints from their beginnings to today. Offered as ARHS 230 through Spring 2012. To become ARHT 301 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS250: Modern Philosophies of Art

The work of major writers about art in the nineteenth and twentieth centuries; the nature of the creative experience, the function of art in the life of the individual and of society, the nature of the creative process, the rise of new materials and institutions; the development of sentiments and attitudes affecting thinking in the field. Offered as ARHS 250 through Spring 2012. To become ARHT 203 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS275: Afro-American Art

Afro-American art in the United States from colonial times to the present. Meets the World Languages and Cultures Requirement - World Cultures. (3 hours lecture.) 3 sh.

ARHS276: History of Textiles: Focus on the Americas

A study of some of the great textile traditions of the world with an emphasis on the Americas. Offered as ARHS 276 through Spring 2012. To become ARHT 304 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS322: Early Christian-Byzantine Art

The emergence and development of early Christian art from its classical and late classical antecedents and its development up to Byzantine art. Offered as ARHS 322 through Spring 2012. To become ARHT 321 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS323: Medieval Art

Painting, sculpture and architecture in the Romanesque and Gothic periods. Offered as ARHS 323 through Spring 2012. To become ARHT 322 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS324: Northern Renaissance Painting

Fifteenth and sixteenth century painting in northern Europe with particular attention to Flanders and Holland; emphasis on Jan Van Eyck, Van Der Weyden, Bosch, Peter Bruegel and Matthias Gruenewald. Offered as ARHS 324 through Spring 2012. To become ARHT 336 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS325: Seventeenth and Eighteenth Century Art

Painting, sculpture, and architecture in Western Europe from 1600 to 1800; Baroque and Rococo styles with emphasis on El Greco, Bernini, Rubens, Rembrandt, Poussin and Watteau. Offered as ARHS 325 through Spring 2012. To become ARHT 340 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS326: The Critical Approach

Historical criticism, criteria in art criticism, and an analysis of the critical process. Offered as ARHS 326 through Spring 2012. To become ARHT 393 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS327: History of Oriental Art

The factors that shaped oriental society; the art of China, Korea, Japan, India, Southeast Asia and the neighboring Islamic world. Offered as ARHS 327 through Spring 2012. To become ARHT 280 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS328: Survey of Greek Art

Greek art including painting, sculpture and architecture from the Bronze Age through the Hellenistic period. Offered as ARHS 328 through Spring 2012. To become ARHT 314 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS329: American Art

Art in the United States from the colonial period through the nineteenth century; the development of an American style in the light of its relationship to and dependence upon European art. Offered as ARHS 329 through Spring 2012. To become ARHT 290 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS331: Modern Art

Movements, personalities and styles from the late nineteenth century masters to Cubism, Futurism, Surrealism and other schools that shaped the modern movement. Lectures, readings, museum visits. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS332: Ancient Art of Europe

The non-classical traditions in prehistoric and early Medieval Europe; the continuity of native, anti-classical artistic trends from the cave art of Paleolithic Europe to the migration arts of the early Middle Ages; the arts of the builders of Stonehenge, the Scythians, Huns, Celts, Goths and Vikings. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS337: Public Art and the Community

Art as a functional part of the contemporary community; reactions between people and the city environment; the visual potential of science and technology and its application to problems of visual form in relation to architectural and urban environment. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS341: History of City Planning

Conceptual and esthetic planning of city form from primitive village patterns and the ancient towns of India and Egypt to schemes for the future; the significance of squares and public spaces; the question of scale and the ways in which forms and spaces are experienced. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS370: History of Industrial Design

The history of industrial design is traced from the industrial revolution to the latter part of the twentieth century. Offered as ARHS 370 through Spring 2012. To become ARHT 303 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS450: Modern Architecture

Major contributions to the development of modern architecture in the nineteenth and twentieth centuries; the development of styles, structural innovations and theories of design. Offered as ARHS 450 through Spring 2012. To become ARHT 361 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS451: Contemporary Art

The work of major artists of the twentieth century with particular reference to the dominant ideas of the period; readings, museum trips, discussion of contemporary writing and criticism. Offered as ARHS 451 through Spring 2012. To become ARHT 470 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS452: Renaissance Art in Italy: The Sixteenth Century

The great masters of the Cinquecento: Leonardo, Michelangelo, Raphael, Giorgione and Titian; the emergence of Mannerist art and architecture in Rome, Venice, Florence and Bologna. Offered as ARHS 452 through Spring 2012. To become ARHT 332 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS455: Selected Problems in Art History

A seminar in topics like the works of an individual artist or a particular theme in art history (e.g. the human figure) or a particular technique (e.g. sculpture); lectures, reports, museum and studio visits, discussion. May be repeated seven times for a maximum of 24.0 credits. Offered as ARHS 455 through Spring 2012. To become ARHT 490 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS457: Pre-Columbian, Oceanic and African Art

The major styles of Oceania, Africa, South and Central America before Columbus. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS458: African Art: Sub-Saharan

The painting, sculpture and minor arts of the cultures of Africa; prehistoric remains and art traditions of the more recent past in the context of stylistic groupings; relation to ceremony and to daily life; symbolism and relations to the arts of other cultures. Meets the World Languages and Cultures Requirement - World Cultures. Offered as ARHS 458 through Spring 2012. To become ARHT 281 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS459: Art of the Nineteenth Century

The major movements of the nineteenth century: Classicism, Romanticism and Realism; the salon at mid-century; Impressionism; Post-Impressionism. Offered as ARHS 459 through Spring 2012. To become ARHT 350 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS460: Nineteenth Century American Architecture

Building in the United States during the nineteenth century; social, economic and political forces as determinants of architectural form; interior design and decoration. Works by Latrobe, A. J. Downing, Ithiel Towne, H. H. Richardson and Louis Sullivan emphasized. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS461: Nineteenth Century American Painting

Painting in the United States during the nineteenth century; portrait, landscape and genre traditions; the Hudson River school, the genre painters, the expatriates and the independents; folk and naif paintings. Some knowledge of European painting is desirable. Offered as ARHS 461 through Spring 2012. To become ARHT 352 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS462: Senior Seminar

Seminar in selected artistic problems of historic, social and philosophical nature. Offered as ARHS 462 through Spring 2012. To become ARGS 400 effective Summer 2012. (3 hours seminar.) 3 sh.

Prerequisites: ENWR 105 or HONP 100; BFA students or departmental approval.

ARHS469: Art of the Twentieth Century

From Picasso to today; scientific and social forces transforming the artist's vision, including the theories of Freud and Bergson. Offered as ARHS 469 through Spring 2012. To become ARHT 360 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS477: History of Photography

The roots of photography, its practitioners and the social and historical circumstances surrounding its creation. Offered as ARHS 477 through Spring 2012. To become ARHT 302 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS478: Art in Public Places

A studio concerned with urban areas defined by man's art and used by the public; problems of using art work to achieve the desired ambience. Especially recommended for students of painting, sculpture, theater, music, dance. 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS479: Independent Study in Urban Cultural Development

Topics for investigation selected with the approval of the instructor. May be repeated for a maximum of 9.0 credits. 2 - 8 sh.

Prerequisites: ARHS 105 and departmental approval.

ARHS480: Field Trip in Art History

Travel courses to art sources in the United States and foreign countries not to exceed twelve undergraduate credits. First-hand contact with the historic art forms of the places visited and study of their monuments and works in their museums and galleries. Subject(s) defined by the professor. May be repeated for a maximum of twelve credits. Offered as ARHS 480 through Spring 2012. To become ARHT 202 effective Summer 2012. () 2 - 6 sh.

Prerequisites: ARHS 105 and departmental approval.

ARHS483: Independent Study in Art History

Independent study. May be repeated for a maximum of twelve credits. Offered as ARHS 483 through Spring 2012. To become ARHT 491 effective Summer 2012. () 2 - 8 sh.

Prerequisites: ARHS 105 and departmental approval.

ARHS484: Independent Study: Senior Thesis (BA Art HIstory)

With art history faculty advisement, each senior student will conduct a course of research in art history and complete a scholarly paper. Offered as ARHS 484 through Spring 2012. To become ARHT 499 effective Summer 2012. () 3 sh.

Prerequisites: ARHS 200 and departmental approval.

ARHS485: Ancient Art In Italy: Etruscan and Roman Art

The arts of the Etruscans and Romans in their historical, cultural and religious settings. Offered as ARHS 485 through Spring 2012. To become ARHT 315 effective Summer 2012. (3 hours lecture.) 3 sh.

Prerequisites: ENWR 105 or HONP 100.

ARHS540: European Art of the Seventeenth and Eighteenth Centuries

Principal developments in painting, sculpture, architecture and related arts during the Baroque and Rococo periods as affected by contemporary political, religious and economic factors. Artists include Caravaggio, Bernini, Poussin, Velazquez, Rembrandt, Rubens, Watteau and Hogarth. Offered as ARHS 540 through Spring 2012. To become ARHT 540 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS579: Theories of Medieval and Early Renaissance Art

The ways in which art theory and methods of study affect our understanding of Medieval and Early Renaissance art will be the focus of this seminar. Topics to be discussed: the historiography of the two fields, nationalism in art historical studies, the social history of art, feminist interpretations, reception theory, semiotics, museum display, Panofsky, and Shapiro. Class discussions based on readings and student presentations. 3 sh.

ARHS580: The American Collector and New York Museums

The history of American art collecting is studied using the private collections that are now incorporated into museums in New York City. The contents of these collections, the ways they are housed, and the role of museum as educational institution will be examined in light of social and cultural ideals. Discussions based on readings and field trips. Offered as ARHS 580 through Spring 2012. To become ARHT 603 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS581: Selected Writings by Artists on Art

A selection of writings by artists on art are presented, including theoretical writings, excerpts from diaries and letters, manifestoes, interviews, etc. The class is designed as a seminar focusing on analysis, interpretation, and discussion of these primary sources. Offered as ARHS 581 through Spring 2012. To become ARHT 501 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS590: Modern Philosophies of Art I

Major writers in art in the nineteenth and twentieth centuries. The nature of the creative experience; art in the life of the individual and of society; the creative process; new materials; institutions and sentiments affecting current thinking in the field. Discussions based on readings of philosophers, poets, social scientists and psychologists. Offered as ARHS 590 through Spring 2012. To become ARHT 590 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS591: Modern Philosophies of Art II

The writings of 19th and 20th century artists and their interpreters; such works as the "Futurist's Manifesto" and Kandinsky's "The Spiritual In Art.". 3 sh.

ARHS592: Selected Problems Art History I

Art problems, iconographic topics and themes of a historic, social and philosophical nature. Topic selection will depend upon the special areas of the professor or guest professor invited for the semester. May be repeated seven times for a maximum of 24.0 credits. Offered as ARHS 592 through Spring 2012. To become ARHT 601 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS593: Selected Problems Art History II

Continuation of ARHS 592. Taken serially. May be repeated three times for a maximum of 12.0 credits. 3 sh.

Prerequisites: ARHS 592.

ARHS594: Northern Renaissance Art

15th and 16th century paintings in northern Europe - especially Italy, Flanders and Holland; the development of Realism and style in relation to social change and the general ideas of the period, including contemporary music. Jan Van Eyck, Van der Weyden, Bosch, Peter Breughel and Matthias Gruenewald. Offered as ARHS 594 through Spring 2012. To become ARHT 536 effective Summer 2012. (3 hours lecture.) 3 sh.

ARHS680: Field Trip in Art History

Travel courses to art sources in the United States and foreign countries not to exceed twelve graduate credits. First-hand contact with the historic art forms of the places visited and study of their monuments and works in their museums and galleries. Subject(s) to be defined by the professor. May be repeated for a maximum of twelve credits. Offered as ARHS 680 through Spring 2012. To become ARHT 502 effective Summer 2012. () 2 - 6 sh.

ARMJ200: Metalwork and Jewelry, Beginning I

Introduction to metal working and jewelry techniques traditionally used in the shaping of useful articles. (6 hours studio.) 3 sh.

ARMJ210: Metalwork and Jewelry, Beginning II

Advanced design concepts and metalworking techniques. (2 hours lecture, 4 hours studio.) 3 sh.

Prerequisites: ARMJ 200 or ARID 111 or departmental approval.

ARMJ300: Metalwork and Jewelry, Intermediate

Traditional techniques, advanced design concepts and techniques. (1 hour lecture, 3 hours studio.) 3 sh.

Prerequisites: ARMJ 200 or ARMJ 210.

ARMJ400: Metalwork and Jewelry, Advanced

Coninuation of ARMJ 300. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARMJ 300.

ARMJ450: Independent Study in Metalwork and Jewelry

Topics for investigation selected with the approval of the instructor. May be repeated three times for a maximum of 9.0 credits. () 3 sh.

Prerequisites: ARMJ 300 and departmental approval.

ARMJ500: Graduate Metalwork and Jewelry I

Designing jewelry and small sculpture in varied metals; the techniques of flat sheet metal and casting. (1 hour lecture, 3 hours studio.) 3 sh.

ARMJ510: Graduate Metalwork and Jewelry II

Continuation of ARMJ 500. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARMJ 500.

ARMJ600: Graduate Metalwork and Jewelry III

Continuation of ARMJ 510. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARMJ 510.

ARMJ610: Graduate Metalwork and Jewelry IV

Designing jewelry and small sculpture in varied metals. The techniques of flat sheet metal and casting. Continuation of ARMJ 600. Taken serially. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARMJ 600.

ARPA200: Painting, Beginning I

Exploration of painting media and modes of expression. Reading, gallery and museum visits. Meets Gen Ed 2002 - Fine and Performing Arts. (6 hours studio.) 3 sh.

ARPA210: Painting, Beginning II

Continuation of ARPA 200. (6 hours studio.) 3 sh.

Prerequisites: ARPA 200.

ARPA260: Figurative Painting

Rendering the human figure and expressing creative insights into figurative painting. This course may be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARPA 200.

ARPA300: Painting, Intermediate

Continuation of ARPA 210. (4 hours studio.) 3 sh.

Prerequisites: ARPA 210.

ARPA400: Painting, Advanced

Continuation of ARPA 300. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARPA 300.

ARPA450: Independent Study in Painting

Topics for investigation selected with the approval of the instructor. May be repeated three times for a maximum of 9.0 credits. () 3 sh.

Prerequisites: ARPA 300 and departmental approval.

ARPA461: Painting the Environment

Interpretation of landscape as a unique source of pictorial ideas; the history of landscape painting. (2 hours lecture, 2 hours studio.) 3 sh.

Prerequisites: ARPA 200.

ARPA500: Graduate Painting I

Studio in painting to further the creative expression and technical knowledge of the student in various painting media. Personal and professional development through studio work, trips and the study of the contemporary artists. (4 hours studio.) 3 sh.

ARPA510: Graduate Painting II

Continuation of ARPA 500. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARPA 500.

ARPA600: Graduate Painting III

Continuation of ARPA 510. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARPA 510.

ARPA610: Graduate Painting IV

Continuation of ARPA 600. Taken serially. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARPA 600.

ARPH200: Photography Beginning I: Contemporary Art Form

The essentials of the photographic process including developing, enlarging, and exhibiting. Trips, films, discussions, lectures, criticism and demonstration. Meets Gen Ed 2002 - Fine and Performing Arts. (6 hours studio.) 3 sh.

ARPH201: Digital Photo and Imaging I

The objective of this course is to teach students basic digital photography and imaging tools. The class will learn how to operate a digital camera, flatbed and film scanners, photographic quality inkjet printers as well as Adobe Photoshop skills for basic digital darkroom techniques, image editing and manipulation. Meets Gen Ed 2002 - Fine and Performing Arts. (2 hours lecture, 3.75 hours studio.) 3 sh.

ARPH210: Photography Beginning II: Contemporary Art Form

The essentials of the photographic process including developing, enlarging, portfolio creation, exhibiting, trips, videos, discussion, lecture, critiques, and demonstrations. A continuation of ARPH 200, Photography Beginning Level I: A Contemporary Art Form. (3 hours lecture, 3 hours studio.) 3 sh.

Prerequisites: ARPH 200.

ARPH211: Digital Photo and Imaging II

The objective of this course is to expand on the knowledge base learned from Digital Photo and Imaging I. The students will acquire a higher level of competency in operating a digital camera, utilizing digital photographic tools and operating output devices for printing. Students will be introduced to page layout software to produce multiple photographic sequences. (2 hours lecture, 4 hours studio.) 3 sh.

Prerequisites: ARPH 201.

ARPH260: Photography Transparency Materials

Control and manipulation of color and monochrome transparency materials. Emphasis on visual awareness, personal direction, and technical skills. (4 hours studio.) 3 sh.

Prerequisites: ARPH 200.

ARPH300: Photography Intermediate: Contemporary Art Form

Continuation of ARPH 210. (4 hours studio.) 3 sh.

Prerequisites: ARPH 210.

ARPH361: Special Process in Photography

Non-traditional light sensitive materials for use in the photographic image-making process. Extension of traditional boundaries of photography through new tools permitting greater image manipulation: gum bichromate, cyanotype, platinum, photo etching, and others. (6 hours studio.) 4 sh.

Prerequisites: ARPH 300.

ARPH400: Photography Advanced: Contemporary Art Form

Workshop, discussion, lecture, demonstrations, criticism; photography as an intensive learning experience; light sensitive materials, controls, photographic approach, selection, system and view camera. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARPH 300.

ARPH451: Independent Study in Photography: Contemporary Art Form

Topics for investigation selected with the approval of the instructor. May be repeated three times for a maximum of 9.0 credits. () 3 sh.

Prerequisites: ARPH 300 and departmental approval.

ARPH462: The Color Print, A Contemporary Aesthetic Approach

Photographic and printing techniques for the color prints; history of color photographic print; museum and gallery visits. (6 hours studio.) 4 sh.

Prerequisites: ARPH 400.

ARPH463: Commercial Photography

Workshop and problem-solving of commercial applications in photography: view camera to 35mm, color and black and white materials, studio lighting, photo illustration, photo essay, marketing. Field trips, visiting professionals. (2 hours lecture, 2 hours studio.) 4 sh.

Prerequisites: ARPH 400.

ARPH500: Graduate Photography Beginning I: A Contemporary Art Form

Provides for the in-depth study and practice of photography as a visual language. Encourages exploration beyond the camera through studio work, discussions, criticism, films, trips and demonstrations. (6 hours studio.) 3 sh.

Prerequisites: Departmental approval.

ARPH510: Graduate Photography Beginning II: A Contemporary Art Form

The essentials of the photographic process including developing, enlarging, portfolio creation, exhibition, trips, videos, discussion, lecture, critiques, and demonstrations. A continuation of ARPH 500, Graduate Photography Beginning I: A Contemporary Art Form. (3 hours lecture, 3 hours studio.) 3 sh.

Prerequisites: ARPH 500.

ARPH600: Graduate Photography Intermediate: A Contemporary Art Form

Workshop, discussion, lectures, criticism, demonstrations: photography for self expression and greater visual awareness. Creative controls, craftsmanship, perception, presentation and the fine points will be investigated. (4 hours studio.) 3 sh.

Prerequisites: ARPH 510.

ARPH610: Graduate Photography Advanced: A Contemporary Art Form

Workshop, discussion, lecture, demonstrations, criticism: photography as an intensive learning experience. Light sensitive materials, controls, photographic approach, selection, zinc system and view camera will be investigated. May be repeated for a maximum of nine credits. (5 hours studio.) 4 sh.

Prerequisites: ARPH 600.

ARPH660: Graduate Special Processes in Photography

Investigation of nontraditional light sensitive materials for use in the photographic image making process. Extending traditional boundaries of photography through new tools that permit greater image manipulation: gum bichromate, cyanotype, platinum, photo etching, and others will be investigated. (5 hours studio.) 4 sh.

Prerequisites: ARPH 610.

ARPM200: Printmaking, Beginning I

Woodcut, screen printing and monoprints; etching, drypoint and lithography. Exploration of new and advanced techniques. Meets Gen Ed 2002 - Fine and Performing Arts. (6 hours studio.) 3 sh.

ARPM210: Printmaking, Beginning II

Consideration of printmaking media; particular attention to the growth and development of art-making concepts as they relate to the printmaking processes. (6 hours studio.) 3 sh.

Prerequisites: ARPM 200.

ARPM220: Digital Printmaking, Introduction A

Intersecting digital technologies with traditional and new printmaking techniques, this course focuses on combining mixed media processes for the creation of hybridized images. (4 hours studio.) 3 sh.

ARPM260: Etching and Relief Printing

Drypoint, engraving, etching and major techniques like line and open bite, soft ground, stop out procedure, lift ground, mezzotint and aquatint. (4 hours studio.) 3 sh.

Prerequisites: ARPM 200.

ARPM261: Lithography

Chemicals, tools, materials and techniques of the process. (4 hours studio.) 3 sh.

Prerequisites: ARPM 200.

ARPM262: Screen Printing

Screen printing including miskit, tusche, glue, lacquer and stencil and photographic techniques. (4 hours studio.) 3 sh.

ARPM263: Book Arts Introduction

Book Arts is an introductory course involving the creation of handbound multi-signature books that incorporate both Eastern and Western approaches to design and format. The aesthetic quality of the artist book resides in its unique structure, visual narrative, continuum of tradition and diversity of materials. (3 hours studio.) 3 sh.

ARPM300: Printmaking, Intermediate

Continuation of ARPM 210. (4 hours studio.) 3 sh.

Prerequisites: ARPM 210.

ARPM400: Printmaking, Advanced

Continuation of ARPM 300. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARPM 300.

ARPM450: Independent Study in Printmaking

Topics for investigation selected with the approval of the instructor. May be repeated three times for a maximum of 9.0 credits. () 3 sh.

Prerequisites: ARPM 300 and departmental approval.

ARPM500: Graduate Printmaking I

Advanced work in various print processes; emphasis on the development of images and concepts as they relate to the printmaking media. (4 hours studio.) 3 sh.

Prerequisites: Departmental approval.

ARPM510: Graduate Printmaking II

Continuation of ARPM 500. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARPM 500.

ARPM600: Graduate Printmaking III

Continuation of ARPM 510. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARPM 510.

ARPM610: Graduate Printmaking IV

Continuation of ARPM 600. Taken serially. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARPM 600.

ARSC200: Sculpture, Beginning I

Sculptural concepts using materials like plaster, metal, plastics, stone and wood. Gallery and museum visits. Meets Gen Ed 2002 - Fine and Performing Arts. (6 hours studio.) 3 sh.

ARSC210: Sculpture, Beginning II

The course will focus on the figure (working from life) with auxiliary experiences in mold-making and casting. The materials will be clay (plasticine), plaster and armatures. Meets Gen Ed 2002 - Fine and Performing Arts. (6 hours studio.) 3 sh.

ARSC220: Sculpture: Fabrication, Introduction A

Sculpture formed by constructive methods. Form and space relationships; a professional sequence of drawings, model building, testing of materials, joining methods, full-scale execution. Museum visits and reading assignments. (4 hours studio.) 3 sh.

ARSC221: Sculpture: Clay, Introduction A

The use of clay to create sculptural forms; emphasis on developing skills and strengthening understanding of sculpture as an art form. Finished works may be composed of fired clay or unfired clay or clay in combination with other materials. (4 hours studio.) 3 sh.

ARSC222: Sculpture: Metal Casting, Introduction A

Basic technology of metal casting in the lost wax process. Experimentation with the various materials related to the casting process; modeling, spruing and venting, investment of the model, burn-out of the mold, pouring the metal, cleaning, chasing and finishing the metal cast. Museum visits and reading assignments. (4 hours studio.) 3 sh.

ARSC223: Sculpture: Welding/Brazing Introduction A

Sculpture in metal realized through welding, brazing and soldering. Various metals used in a variety of processes to develop three dimensional works. Museum visits and reading assignments. (4 hours studio.) 3 sh.

ARSC224: Sculpture: Carving, Introduction A

Sculpture formed by the subtractive process of carving in wood and/or stone primarily; techniques of sharpening, making and maintaining tools. Museum visits and reading assignments. (4 hours studio.) 3 sh.

ARSC225: Metals: Introduction A

Production of sculpture through the casting or welding processes. With the permission of the instructor, a student may elect to concentrate in one of these areas throughout the semester, explore both approaches to metal sculpture or combine both processes in finished pieces. Slide lectures, critiques and visits to galleries and museums in New York. (4 hours studio.) 3 sh.

Prerequisites: ARSC 222.

ARSC226: Sculpture: Modeling/Casting, Introduction A

Forming by the additive process using one or more mold-making techniques; clay plaster, cement and plastics. Further modeling and casting processes. Museum visits and reading assignments. (4 hours studio.) 3 sh.

ARSC230: Sculpture: Fabrication, Introduction B

Continuation of ARSC 220. (4 hours studio.) 3 sh.

Prerequisites: ARSC 220.

ARSC231: Sculpture: Clay, Introduction B

Continuation of ARSC 221. (4 hours studio.) 3 sh.

Prerequisites: ARSC 221.

ARSC232: Sculpture: Metal Casting, Introduction B

Continuation of ARSC 222. (4 hours studio.) 3 sh.

Prerequisites: ARSC 222.

ARSC233: Sculpture: Welding/Brazing Introduction B

Continuation of ARSC 223. (4 hours studio.) 3 sh.

Prerequisites: ARSC 223.

ARSC234: Sculpture: Carving, Introduction B

Continuation of ARSC 224. (4 hours studio.) 3 sh.

Prerequisites: ARSC 224.

ARSC235: Metals: Introduction B

Continuation of ARSC 225. (4 hours studio.) 3 sh.

Prerequisites: ARSC 225.

ARSC236: Sculpture: Modeling/Casting, Introduction B

Continuation of ARSC 226. (4 hours studio.) 3 sh.

Prerequisites: ARSC 226.

ARSC300: Sculpture, Intermediate

Continuation of ARSC 200 and ARSC 210. (4 hours studio.) 3 sh.

Prerequisites: ARSC 200 and ARSC 210.

ARSC320: Sculpture: Fabrication Intermediate

Continuation of ARSC 230. (4 hours studio.) 3 sh.

Prerequisites: ARSC 230.

ARSC321: Sculpture: Clay, Intermediate

Continuation of ARSC 231. (4 hours studio.) 3 sh.

Prerequisites: ARSC 231.

ARSC322: Sculpture: Metal Casting, Intermediate

Continuation of ARSC 232. (4 hours studio.) 3 sh.

Prerequisites: ARSC 232.

ARSC323: Sculpture: Welding/Brazing, Intermediate

Continuation of ARSC 233. (4 hours studio.) 3 sh.

Prerequisites: ARSC 233.

ARSC324: Sculpture: Carving Intermediate

Continuation of ARSC 234. (4 hours studio.) 3 sh.

Prerequisites: ARPT 234.

ARSC325: Metals: Intermediate

Continuation of ARSC 235. (4 hours studio.) 3 sh.

Prerequisites: ARSC 235.

ARSC326: Sculpture: Modeling/Casting Intermediate

Continuation of ARSC 235. (4 hours studio.) 3 sh.

Prerequisites: ARSC 236.

ARSC400: Sculpture, Advanced

Continuation of ARSC 300. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARSC 300 or permission of instructor.

ARSC420: Sculpture: Fabrication, Advanced

Continuation of ARSC 320. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARSC 320.

ARSC421: Sculpture: Clay, Advanced

Continuation of ARSC 321. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARSC 321 or permission of instructor.

ARSC422: Sculpture: Metal Casting, Advanced

Continuation of ARSC 322. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARSC 322 or permission of instructor.

ARSC423: Sculpture: Welding/Brazing, Advanced

Continuation of ARSC 323. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARSC 323 or permission of instructor.

ARSC424: Sculpture: Carving, Advanced

Continuation of ARSC 324. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARSC 324 or permission of instructor.

ARSC425: Metals: Advanced

Continuation of ARSC 325. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARSC 325 or permission of instructor.

ARSC426: Sculpture: Modeling/Casting, Advanced

Continuation of ARSC 326. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARSC 326 or permission of instructor.

ARSC450: Independent Study: Sculpture

Topics for investigation selected with approval of the instructor. May be repeated three times for a maximum of 9.0 credits. () 3 sh.

Prerequisites: ARPM 300 and departmental approval.

ARSC500: Graduate Sculpture I

The student explores independently one or two materials and techniques, and begins to find direction as a sculptor. (4 hours studio.) 3 sh.

ARSC510: Graduate Sculpture II

Continuation of ARSC 500. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARSC 500.

ARSC600: Graduate Sculpture III

Continuation of ARSC 510. Taken serially. (4 hours studio.) 3 sh.

Prerequisites: ARSC 510.

ARSC610: Graduate Sculpture IV

Continuation of ARSC 600. Taken serially. May be repeated for a maximum of nine credits. (4 hours studio.) 3 sh.

Prerequisites: ARSC 600.

ARST600: Seminar in Art I: Contemporary Art and Aesthetics

This course involves the graduate student in a consideration of major issues in contemporary art and aesthetics. (3 hours seminar.) 3 sh.

Prerequisites: M.A. majors only.

ARST610: Seminar in Art II: Graduate Project

A continuation of ARST 600. Should be taken in the student's last semester along with the completion of the Graduate Project. (3 hours seminar.) 3 sh.

Prerequisites: ARST 600; M.A. majors only.