A Conversation with Artist Maria D. Rapicavoli
Tue March 26, 2019 7-8:30 p.m. – University Hall 1070
See media coverage for this event
Screening of film clips (from Rapicavoli’s project and The Godfather series) and Q&A moderated by Teresa Fiore (Inserra Chair, Montclair State University)
Corleone, a Sicilian town in the province of Palermo, is the birthplace of several fictional characters in The Godfather, and the acquired last name of its protagonist Don Vito. It is also the place where a number of prominent mafiosos were active during the 1980s and ’90s, and where a courageous anti-mafia culture also established its presence – the papers of the 1986-92 Maxi-Trial against mafia bosses such as Riina and Provenzano are kept in a local center. Corleone is a place of saints and devils, of victims and executioners, of stereotypes and reality. It is a relatively small locale of worldwide fame. Or a reality used as a metaphor, to quote the Italian novelist Leonardo Sciascia. Yet, Corleone is also a place of common people who have to play the role of actors in front of an audience of demanding tourists as if their town were a permanent film set.
During a residency in Corleone, Maria D. Rapicavoli developed a multi-part project – “If You Saw What I Saw” (see full description) – consisting of a series of videos and photographs (2008-11). In investigating the real and imagined narratives of both locals and visitors (the mafia guide, the anti-mafia archive founder, random residents, American tourists) in a place replete with stereotypes, Rapicavoli has represented Corleone from different points of view in an environment that often denies the existence of Mafia, yet exploits its fictional rendition as a commodity as part of thematic tourism.
Rapicavoli’s presentation will illustrate her multi-part art project, while intertwining it with clips from The Godfather series’ films set in Corleone, which ironically were not shot in Corleone but in other areas of Sicily. A Q&A will follow.
She has exhibited in several group shows including at Whitechapel Gallery, London; Yerba Buena Center For The Arts, San Francisco; Parsons New School, New York; Museo di Villa Croce, Genoa; Fondazione Sandretto Re Rebaudengo, Turin; Museo di Villa Croce, Genova (Italy); Palazzo Reale, Milan; Guest Projects, London; Riso, Museum for Contemporary Art, Palermo, Italy; Strozzina, Fondazione Palazzo Strozzi, Florence; Sala Rekalde Bilbao; Italian Cultural Institute London and New York.
- Organized and sponsored by the Inserra Chair in Italian and Italian American Studies at Montclair State University in collaboration with the Italian Program (Department of Modern Languages and Literatures), as part of the class ITAL 262 Italian Americans in Film
Further resources
“De-mob happy” by Stephanie Rafanelli, The Guardian (16 May 2008)