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Dr. Brater’s research aims to bring attention to art, artists, and audience communities, especially women, who have been underrepresented historically by theatre critics and scholars. Her work emphasizes the relationship between theatrical performance and social and political engagement.

Her current book project, under contract with Methuen Drama, engages in a close reading of 21st Century American social justice campaigns through the lens of theatre, and aims to elucidate the parallels between advocacy and theatre and suggest ways to exploit these parallels for progressive change in both disciplines. Case studies include examples of faith-based social justice campaigns, youth led movements March for Our Lives and Black Lives Matter, theater for social change courses and training programs, and pandemic virtual advocacy. And what happens when right-wing advocates employ these techniques? Finally, the January 2021 insurrection at the U.S. Capitol is explored as a transgressive event that falls outside the limits of advocacy as theatre. By looking at ways that advocacy as theatre can provide an apparatus for strengthening our democracy, we can establish a more just and equitable country and inspire sustainable engaged citizenship among the theatre community.

Her first book, RUTH MALECZECH AT MABOU MINES: WOMAN'S WORK, was published by Methuen Drama in 2016. Chapters on Mabou Mines appear in WOMEN, COLLECTIVE CREATION, AND DEVISED PERFORMANCE and in CONTEMPORARY APPROACHES TO ADAPTATION IN PERFORMANCE, both published by Palgrave Macmillan. Other writing has appeared in publications including AUJOURD'HUI/SAMUEL BECKETT TODAY and THEATRE JOURNAL. Recent publications include chapters and articles in the CAMBRIDGE COMPANION TO AMERICAN THEATRE since 1945, AMERICAN THEATRE ENSEMBLES 1970-1995, and THE JOURNAL OF AMERICAN DRAMA & THEATRE. Forthcoming publications include "Nora, Lucia, and Lear: Gender and Performance at Mabou Mines" for ANALYZING GENDER IN PERFORMANCE (Palsgrave MacMillan) and a chapter on Lee Breuer for the new series GREAT NORTH AMERICAN STAGE DIRECTORS (Methuen Drama).

Brater was the founding Artistic Director of Polybe + Seats. Over the company’s fifteen-year history, they partnered with other Brooklyn cultural organizations including the Brooklyn Navy Yard Center at BLDG 92, the Waterfront Museum and Showboat Barge, and the Old Stone House to create socially engaged work. Brater directed Sarah Badiyah Sakaan’s THE ART OF HIJAB, KOHL BLACK, AND THE RIGHT WAY TO PRAY, a new play that explores Muslim feminist identity. The project was supported by a 2014-16 residency at LaGuardia Performing Arts Center, several Creative Space grants from ART/NY, and a grant from the Brooklyn Arts Council. The production was presented at the Bay Ridge Brooklyn Public Library and in a performance residency at the Obie-award winning gallery FiveMyles in partnership with the Arab American Association of New York. Other past projects include Sakaan's ANNA ASLI SURIYAH (I COME FROM SYRIA) and THE CHARLOTTE SALOMON PROJECT, developed in residency at Mabou Mines/SUITE Space with a grant from the National Foundation for Jewish Culture.

Recent directing work includes the Turkish American Rep Theatre & Entertainment's DAUGHTERS OF ANATOLIA at the Tank and as part of the annual Turkish flag raising ceremony in Bowling Green in 2024 and WE THE WOMEN at the Tank NYC in 2023; Doc Andersen-Bloomfield’s LITTLE DID I KNOW for Jersey City Theater Center’s 2022 New Play Festival; FLORIDA! by Amanda Sage Comerford for Luna Stage’s NEA-granted Voting Writes project in 2020; and a protest performance as part of a demonstration against mistreatment of incarcerated immigrants at the Essex County Correctional Facility on the steps of the Newark Hall of Records in 2019. Current projects include THE GARDEN STATE NEW PLAY FESTIVAL, a collaboration with The New Jersey Play Lab and Jersey City Theater Center, supported by a grant from the New Jersey Council for the Arts.

Brater’s teaching encourages students to map connections between theater literature, history, and theory and their own stage practice, challenging them to excel both intellectually and creatively and to examine connections between the performative and the political. She teaches courses in theater history, theater for social change, and site-specific performance and was excited to be embark on a teaching/directing collaboration with Jersey City Theater Center and New Jersey Playwrights Lab in 2022-24: https://www.montclair.edu/theatre-and-dance/2022/10/25/the-department-of-theatre-and-dance-announces-new-exciting-new-jersey-strategic-partnership/, culminating in a production of Ravin Patterson's commissioned work DANTE'S RENAISSANCE. Brater is currently collaborating with the NJPL, this time with Vanguard Theater, on a new play commission by Dania Ramos and music by Lawrence Dandridge about Montclair's 4th Ward.

Brater is the program coordinator for the BA and MA in Theatre Studies and the Graduate Certificate in Theatre of Diversity, Inclusion & Social Change. In summer 2024 she attended the Faculty Institute for Citizens and Scholars on behalf of the university and is a member of the Dialogue Across Difference working group, promoting sustainable practices for difficult discussions. She previously served as Community Engaged Teaching and Learning Fellow, on the University Senate Executive Board as Student Affairs Council Chair, and as vice chair of the Graduate Council. Brater is a leader with the multifaith advocacy organization New Jersey Together, the recipient of a Loving Leadership award from Faith in New Jersey and was recognized as a 2022 NJ 11 hero by Rep. Mikie Sherill for her community organizing work. In 2024 she was honored to receive the Outstanding Service Award from Montclair State's Office of Community Engagement & Partnerships. Brater holds a Ph.D. and M.Phil from the CUNY Graduate Center and a B.A. from Barnard College. She is currently earning a Certificate in Contemporary Antisemitism Studies with ISGAP.